The Benefit of the Doubt; a Comedy in Three ActsPinero, Arthur Wing
General
The Benefit of the Doubt; a Comedy in Three Acts
Pinero, Arthur Wing
English drama -- 19th century
Get your hat! [SIR FLETCHER _goes out_. MRS. CLOYS _turns to_ JUSTINA.]
Telegraph to the Bishop of St. Olpherts, The Palace, St. Olpherts:
“Detained here to-night. Return, D.V., forenoon to-morrow. Get to bed
early. Affectionate messages.—H.”
[_The sound of a cab-whistle, twice or thrice repeated, is
heard._
JUSTINA.
“Detained here to-night. Return forenoon to-morrow——”
MRS. CLOYS.
“D.V.”
JUSTINA.
“D.V. Go to bed early——”
MRS. CLOYS.
Say, “Be in bed by eleven.”
JUSTINA.
Yes. “Love——”
MRS. CLOYS.
No, no—“Affectionate messages.”
JUSTINA.
“Affectionate messages.—H.”
MRS. CLOYS.
Thank you.
JUSTINA.
Aunt! When I see Alec Fraser, am I to say anything—about what you are
doing?
MRS. CLOYS.
For mercy’s sake, don’t put any idea into his head that isn’t there
already! Not a word to a soul——
[CLAUDE _appears in the doorway, hat in hand_.
CLAUDE.
Cab, aunt.
MRS. CLOYS.
I’m coming. [CLAUDE _withdraws_.] Not a word, except that we’ve gone
out, blindly, to try and find her.
JUSTINA.
Wait! you must tell me; do you suspect that Theophila is—guilty?
MRS. CLOYS.
[_Looking at her steadily._] Woman, what do _you_ suspect?
JUSTINA.
[_Falteringly._] Then I can’t understand you.
MRS. CLOYS.
Why not, pray?
JUSTINA.
I’ve always taken you for one of those who pick up their skirts and
stalk away as far as possible from this kind of thing.
MRS. CLOYS.
Ah, you don’t—[_moved_]—oh, my dear!
JUSTINA.
What?
MRS. CLOYS.
You don’t know what was really at the bottom of all my quarrels with
your mother. I’ve no children. I’d have given the world if Theo had been
mine.
JUSTINA.
[_A little bitterly._] Theo! Theo!
MRS. CLOYS.
[_Taking her by the shoulder, almost shaking her._] You, too! [_Kissing
her._] Bless you, you’d have been better than nothing!
[_She goes out._ JUSTINA _stands, her lips parted, staring into
space_.
END OF THE FIRST ACT.
THE SECOND ACT
Public-domain text, read in full here on John Shaqi.
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