The Benefit of the Doubt; a Comedy in Three ActsPinero, Arthur Wing
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The Benefit of the Doubt; a Comedy in Three Acts
Pinero, Arthur Wing
English drama -- 19th century
Her people are now her husband’s people. She is married to a gentleman.
OLIVE.
Mr. Fraser has been away from her as much as possible—[_her eyes
flashing_]—_you_ know that better than anybody.
JOHN.
[_Indignantly._] Why do you come here—after all our struggles and
failures, after the injury you’ve endeavoured to do me! Why do you
torture me, and insult me, by trying to repeat the old heart-breaking
scenes?
[_He throws himself into a chair, distractedly. There is a
pause; then she slowly goes to a chair, drags it towards
him, and sits beside him._
OLIVE.
[_Panting._] Torture _you_? Oh! oh, I suffer too! [_Rocking herself to
and fro._] Well, there can be no punishment for jealous women in another
world; we are damned in this.
JOHN.
[_In a muffled voice, with his head on his hands._] And the fire has
burnt out in you, you tell me!
OLIVE.
I suppose the cinders still retain a little heat, dear.
JOHN.
[_Brokenly._] Dear!... dear!...
OLIVE.
Yes. I know my actions are contradictory, but—[_her hand stealing
towards his_]—in my heart, John—always—in my heart—— [_The banjo
suddenly strikes up an air._ JOHN _and_ OLIVE _raise their heads and
stare at each other; then_ OLIVE _slowly backs her chair to its original
position. Speaking in a whisper._] What’s that?
JOHN.
Peter.
OLIVE.
Peter——!
JOHN.
He brought his banjo with him.
OLIVE.
[_Aghast._] Why——!... Oh!
JOHN.
[_Blankly._] Eh?
OLIVE.
If _we_ hear the banjo with such distinctness——
[_They rise. He hurriedly ascends the steps and disappears
through the_ portière. _The music of the banjo stops
abruptly, and the sound of voices comes from the
library._ QUAIFE _enters, carrying a lamp which he
deposits on the table; then, always watching_ OLIVE, _he
lights the standard-lamp and draws the window-curtains_.
SHAFTO.
My dear fellow——!
ELPHICK.
My dear Jack——!
JOHN.
Sssh!
SHAFTO.
You might have remembered——
JOHN.
Sssh! sssh! [_The voices in the library are hushed._
OLIVE.
[_Commanding herself, and crossing to the fireplace._] And how are you,
Quaife?
QUAIFE.
Very well indeed, I thank you, ma’am.
OLIVE.
And your wife?
QUAIFE.
Public-domain text, read in full here on John Shaqi.
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