The Benefit of the Doubt; a Comedy in Three ActsPinero, Arthur Wing
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The Benefit of the Doubt; a Comedy in Three Acts
Pinero, Arthur Wing
English drama -- 19th century
JOHN.
You mean that?
OLIVE.
If ever I meant anything in my life.
JOHN.
[_Referring to the letter._] “I shall plant myself at some quiet spot
near your cottage——”
OLIVE.
Ah, no! never mind the quiet spot near the cottage. Why can’t you have
your business interview here?
JOHN.
Here?
OLIVE.
[_In a low voice, her head drooping._] Where we are now, while
I—[_glancing towards the library_]—while I take my place in there?
[_There is a pause; he stands looking at her for a moment
silently._
JOHN.
And this is how you propose to carry out your undertaking to make amends
to Mrs. Fraser?
[_He turns away from her._
OLIVE.
Everything is altered since—since——
JOHN.
Since we were reconciled! reconciled!
OLIVE.
Since I promised to aid Mrs. Fraser. The arrival of these people—that
letter—has undone everything. [_Throwing herself upon the settee
despairingly._] Oh, they knew well enough where their bird would fly to!
[_Burying her face in the pillows._] Oh, John, you’ll kill me!
JOHN.
Ha! and so you would like to try Mrs. Fraser twice in one day! And there
would be no mistake this time, no doubt whatever! Innocent or
Guilty—guilty for choice!
OLIVE.
No, no, innocent. But I want to be satisfied. Only satisfy me?
JOHN.
Satisfy you! My heavens!
OLIVE.
Satisfy me! satisfy me!
JOHN.
And what a model judge of this lady you would make, of any woman you are
jealous of! How scrupulously fair! how impartial! how——
OLIVE.
I would be just, John; I would be!
JOHN.
[_Savagely taking a cigarette from the box on the table and sticking it
between his teeth._] Women of your temperament detect a leer in the
smile of a wax doll.
OLIVE.
I give you my word that I will make every allowance for you both, if you
will let me hear you together. You _are_ old friends—“chums” was her
expression for it in the witness-box to-day—and you are Jack and Theo to
each other, naturally; I am prepared for all that kind of thing. She can
kiss you good-bye when she parts from you—[_beating her brow_]—I can
comprehend even _that_. Only—only let me be satisfied by her general
tone and bearing, by that unmistakable ring in the voice, that she has
never been the arrant little profligate I once thought her.
[JOHN _now sitting staring at the carpet and chewing the end
of his cigarette_.
Public-domain text, read in full here on John Shaqi.
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