The Benefit of the Doubt; a Comedy in Three Acts — John Shaqi
The Benefit of the Doubt; a Comedy in Three ActsPinero, Arthur Wing
General
The Benefit of the Doubt; a Comedy in Three Acts
Pinero, Arthur Wing
English drama -- 19th century
[_Coming to him, her manner gradually changing to harshness, almost to
violence._] Well, understand me, Mr. Allingham! I’m inclined to—to
half-believe in you; you’ve an honest face and air—not that those things
count for much; but understand me: if you bring, in any shape or form,
further harm to her——!
JOHN.
[_Indignantly._] What further harm can I bring to her? You find me here
with my wife——!
MRS. CLOYS.
Sir, you had a wife round the corner when you were engaged in destroying
my niece’s reputation in Lennox Gardens! [_Recovering her composure._]
But enough of that. [_Calmly, amiably._] We do understand one another,
do we not?
JOHN.
[_Shortly._] Oh, perfectly.
MRS. CLOYS.
That’s right. [_Arranging her bonnet-strings, which have become slightly
disordered._] Excuse me for breaking out in this fashion. [_She goes to
the door, he following her. At the door she turns to him with grave
dignity._] I’m afraid I’ve impressed you as being rather a tigress.
[_She goes out. He closes the door after her and stands
staring at the ground for a moment; then he gently turns
the key in the lock and carefully draws the_ portière
_across the door. He is about to put his finger upon the
bell-press when he pauses._
JOHN.
[_In a low voice._] Olive. Olive. I have not yet rung the bell. Do you
stop me? [_A pause._] Won’t you stop me?
[_He waits; there is no answer; with an angry gesture he
rings the bell. After a brief pause_ QUAIFE _enters_;
THEOPHILA _follows. She is dressed as in the previous
Act, but is now thickly veiled._ QUAIFE _gives a puzzled
look round the room and withdraws_.
THEOPHILA.
[_Advancing and speaking in a weak, plaintive voice._] Oh, Jack——!
[_They shake hands, but in a constrained, rather formal way._] Of
course, we could have had our talk very well in the lane; but it’s kind
and considerate of you to ask me in.
JOHN.
Oh, not in the least. [_Confusedly._] I—er—I—Do sit down.
[_She looks at him, expecting him to find her a chair. In
the end, after a little uncertainty, she seats herself
on the right of the table. In the meantime he ascertains
that the door by which_ THEOPHILA _has entered is
closed_.
THEOPHILA.
[_Lifting her veil._] I’m afraid you’re a little angry with me for
hunting you up.
JOHN.
Angry? Why should I be angry?
THEOPHILA.
Public-domain text, read in full here on John Shaqi.
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