Bildungsromans; Domestic fiction; Middle West -- Fiction; Young women -- Fiction
After that remark the new boy walked forward with no more articulate
complaints, though his face was drawn and he bit his lips. He was
shown the chicken-yard--full of gawky, half-grown chickens shedding
their down and growing their feathers--and forgot his feet in the
fascination of scattering grain to them and watching their fluttering
scrambles. He was shown the rabbit-house and allowed to take one of
the limp, unresponsive little bunches of fur in his arms, and feed
a lettuce-leaf into its twitching pink mouth. He was shown the
house-in-the-maple-tree, a rough floor fixed between two large
branches, with a canvas roof over it, ensconced in which retreat his
eyes shone with happy excitement. He was evidently about to make some
comment on it, but glanced at Judith's dark handsome little face,
unsmiling and suspicious, and remained silent. He tried the same
policy when being shown the children's own garden, but Judith tracked
him out of this attempt at self-protection with some direct and
searching questions, discovering in him such ignorance of the broadest
division-lines of the vegetable kingdom that she gave herself up
to open scorn, vainly frowned down by the more naturally civilized
Sylvia, who was by no means enjoying herself. The new boy was not
in the least what he had looked. She longed to return to the
contemplation of Aunt Victoria's perfections. Lawrence was, as usual,
deep in an unreal world of his own, where he carried forth some
enterprise which had nothing to do with any one about him. He was
frowning and waving his arms, and making stabbing gestures with his
fingers, and paid no attention to the conversation between Judith and
the new boy.
"What _can_ you do? What _do_ you know?" asked the former at last.
"I can ride horseback," said Arnold defiantly.
Judith put him to the test at once, leading the way to the stall which
was the abode of the little pinto broncho, left them, she explained,
as a trust by one of Father's students from the Far West, who was now
graduated and a civil engineer in Chicago, where it cost too much to
keep a horse. Arnold emerged from this encounter with the pony with
but little more credit than he had earned in the garden, showing an
ineptness about equine ways which led Judith through an unsparing
cross-examination to the information that the boy's experience of
handling a horse consisted in being ready in a riding-costume at a
certain hour every afternoon, and mounting a well-broken little
pony, all saddled and bridled, which was "brought round" to the
porte-cochère.
"What's a porte-cochère?" she asked, with her inimitable air of
despising it, whatever it might turn out to be.
Arnold stared with an attempt to copy her own frank scorn for
another's ignorance. "Huh! Don't you even know that much? It's the big
porch without any floor to it, where carriages drive up so you can get
in and out without getting wet if it rains. Every house that's good
for anything has one."
Public-domain text, read in full here on John Shaqi.
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