I beg my reader not to imagine that there had been love-passages between Arthur Wilkinson and Adela Gauntlet: nothing of the sort had occurred. They had known and loved each other as children together, and now that they were no longer children, they still knew and loved each other--that was all. It is true that Arthur, when he had wished to talk of his own disappointments, had found a better listener at West Putford than any that he could find at Hurst Staple. It is true that Adela had always been glad to listen to him; that she had had pleasure in cheering his fainting heart, and telling him that the work of a soldier of Christ was worthier of a man than the bickerings of a statesman or the quibbles of a lawyer; that she had gravely, yet withal so sweetly, spoken to him of the comforts of a rural life, and made him almost in love with his own failure. Such passages there had been between them; but Arthur had never taken her hand and sworn that it must be his own, nor had Adela ever blushed while half refusing to give him all he asked. Why then need he trouble himself about West Putford? Why not let matters rest as they were? Miss Gauntlet would still be his friend; though seeing that she could never be more, it might not be well for him to walk so often along that river. As there had been no love-passages, one would say that nothing else was necessary. But he could not content himself that this should be so. Adela would think him strange if he should say nothing to her of his future prospects. True, he had spoken no word of love, but had he not looked at her as though it was in his mind to speak such? Was it not incumbent on him to make her understand why he threw from him such golden hopes? And then, as to her, he did not flatter himself that she loved him--at least, not much; but yet it might be well to let her know that she was now at liberty to love any other swain. So at last he once more went his way to West Putford. Adela Gauntlet was-- No; for once I will venture to have a heroine without describing her. Let each reader make what he will of her; fancy her of any outward shape and colour that he please, and endow her with any amount of divine beauty. But for her inner character, let him take that from me as I go on, if so be that I can succeed in making clear to others that which is clear enough to my own mind's eye. I have called her a heroine; it is the novelist's customary name for his prima donna, and so I use it. But many opera companies have more than one prima donna. There is the donna prima, and if one may so say, the donna primissima. Now Adela Guantlet is no more than my donna prima. My donna primissima will be another guess sort of lady altogether.