Harry Stillwell Edwards (1855– ), a native of Georgia, together
with Sarah Barnwell Elliott (? – ) and Will N. Harben (1858–1919)
have continued in the vein of that earlier writer, Augustus
Baldwin Longstreet (1790–1870), author of _Georgia Scenes_ (1835).
Edwards’ best work is to be found in his short stories of black
and white life after the manner of Richard Malcolm Johnston. He
has written several novels, but he is essentially a writer of
human-nature sketches. “He is humorous and picturesque,” says
Fred Lewis Pattee, “and often he is for a moment the master of
pathos, but he has added nothing new and nothing commandingly
distinctive.”[3] An exception to this might be made in favor of
_Elder Brown’s Backslide_ (August, 1885, _Harper’s_), a story in
which all the elements are so nicely balanced that the result
may well be called a masterpiece of objective humor and pathos.
Others of his short stories especially worthy of mention are: _Two
Runaways_ (July, 1886, _Century_), _Sister Todhunter’s Heart_
(July, 1887, _Century_), “_De Valley an’ de Shadder_” (January,
1888, _Century_), _An Idyl of “Sinkin’ Mount’in”_ (October,
1888, _Century_), _The Rival Souls_ (March, 1889, _Century_),
_The Woodhaven Goat_ (March, 1899, _Century_), and _The Shadow_
(December, 1906, _Century_). His chief collections are _Two
Runaways, and Other Stories_ (1889) and _His Defense, and Other
Stories_ (1898).
The most notable, however, of the group of short story writers of
Georgia life is perhaps Richard Malcolm Johnston (1822–1898). He
stands between Longstreet and the younger writers of Georgia life.
His first book was _Georgia Sketches, by an Old Man_ (1864). _The
Goose Pond School_, a short story, had been written in 1857; it
was not published, however, till it appeared in the November and
December, 1869, numbers of a Southern magazine, _The New Eclectic_,
over the pseudonym “Philemon Perch.” His famous _Dukesborough
Tales_ (1871–1874) was largely a republication of the earlier book.
Other noteworthy collections of his are: _Mr. Absalom Billingslea
and Other Georgia Folk_ (1888), _Mr. Fortner’s Marital Claims,
and Other Stories_ (1892), and _Old Times in Middle Georgia_
(1897). Among individual stories stand out: _The Organ-Grinder_
(July, 1870, _New Eclectic_), _Mr. Neelus Peeler’s Conditions_
(June, 1879, _Scribner’s Monthly_), _The Brief Embarrassment of
Mr. Iverson Blount_ (September, 1884, _Century_); _The Hotel
Experience of Mr. Pink Fluker_ (June, 1886, _Century_), republished
in the present collection; _The Wimpy Adoptions_ (February, 1887,
_Century_), _The Experiments of Miss Sally Cash_ (September, 1888,
_Century_), and _Our Witch_ (March, 1897, _Century_). Johnston
must be ranked almost with Bret Harte as a pioneer in “local
color” work, although his work had little recognition until his
_Dukesborough Tales_ were republished by Harper & Brothers in 1883.
Public-domain text, read in full here on John Shaqi.
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