“The act is certainly unprecedented,” said the Judge, dryly,
“but unless the counsel for the plaintiff expects the jury to
_sing_ from these hymn-books, their introduction is not improper,
and I cannot admit the objection. As defendant’s counsel are
furnished with copies also, they cannot plead ‘surprise,’ as in
the introduction of new matter, and as plaintiff’s counsel relies
evidently upon the jury’s attention to his opening, he would not
be the first person to distract it.” After a pause he added,
addressing the Colonel, who remained standing, “The Court is with
you, sir; proceed.”
But the Colonel remained motionless and statuesque, with folded
arms.
“I have overruled the objection,” repeated the Judge; “you may go
on.”
“I am waiting, your Honor, for the—er—withdrawal by the defendant’s
counsel of the word ‘tampering,’ as refers to myself, and of
‘impertinent,’ as refers to the sacred volumes.”
“The request is a proper one, and I have no doubt will be acceded
to,” returned the Judge, quietly. The defendant’s counsel rose and
mumbled a few words of apology, and the incident closed. There
was, however, a general feeling that the Colonel had in some
way “scored,” and if his object had been to excite the greatest
curiosity about the books, he had made his point.
But impassive of his victory, he inflated his chest, with his right
hand in the breast of his buttoned coat, and began. His usual high
color had paled slightly, but the small pupils of his prominent
eyes glittered like steel. The young girl leaned forward in her
chair with an attention so breathless, a sympathy so quick, and
an admiration so artless and unconscious that in an instant she
divided with the speaker the attention of the whole assemblage. It
was very hot; the court was crowded to suffocation; even the open
windows revealed a crowd of faces outside the building, eagerly
following the Colonel’s words.
Public-domain text, read in full here on John Shaqi.
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