He would remind the jury that only a few weeks ago he stood there
as the advocate of a powerful company, then represented by the
present defendant. He spoke then as the champion of strict justice
against legal oppression; no less should he to-day champion the
cause of the unprotected and the comparatively defenseless—save
for that paramount power which surrounds beauty and innocence—even
though the plaintiff of yesterday was the defendant of to-day.
As he approached the court a moment ago he had raised his eyes
and beheld the starry flag flying from its dome—and he knew that
glorious banner was a symbol of the perfect equality, under the
Constitution, of the rich and the poor, the strong and the weak—an
equality which made the simple citizen taken from the plough in
the veld, the pick in the gulch, or from behind the counter in
the mining town, who served on that jury, the equal arbiters of
justice with that highest legal luminary whom they were proud to
welcome on the bench to-day. The Colonel paused, with a stately bow
to the impassive Judge. It was this, he continued, which lifted
his heart as he approached the building. And yet—he had entered it
with an uncertain—he might almost say—a timid step. And why? He
knew, gentlemen, he was about to confront a profound—aye! a sacred
responsibility! Those hymn-books and holy writings handed to the
jury were _not_, as his Honor surmised, for the purpose of enabling
the jury to indulge in—er—preliminary choral exercise! He might,
indeed, say “alas not!” They were the damning, incontrovertible
proofs of the perfidy of the defendant. And they would prove as
terrible a warning to him as the fatal characters upon Belshazzar’s
wall. There was a strong sensation. Hotchkiss turned a sallow
green. His lawyers assumed a careless smile.
It was his duty to tell them that this was not one of those
ordinary “breach-of-promise” cases which were too often the
occasion of ruthless mirth and indecent levity in the courtroom.
The jury would find nothing of that here, There were no
love-letters with the epithets of endearment, nor those mystic
crosses and ciphers which, he had been credibly informed, chastely
hid the exchange of those mutual caresses known as “kisses.” There
was no cruel tearing of the veil from those sacred privacies of the
human affection—there was no forensic shouting out of those fond
confidences meant only for _one_. But there was, he was shocked
to say, a new sacrilegious intrusion. The weak pipings of Cupid
were mingled with the chorus of the saints—the sanctity of the
temple known as the “meeting-house” was desecrated by proceedings
more in keeping with the shrine of Venus—and the inspired writings
themselves were used as the medium of amatory and wanton flirtation
by the defendant in his sacred capacity as Deacon.
Public-domain text, read in full here on John Shaqi.
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