"She _had_ to know," Rachel repeated, addressing the dear likeness that
so proudly reflected her.
V
She found consolation in that thought. Her aunt _had_ to know and
Rachel herself was only the chance instrument of the revelation. She
had not _meant_, so she persisted, to do more than vindicate her own
integrity.
Nevertheless, her own passionate problem was not yet solved. Her aunt
would not, so Rachel believed, give way without a struggle. Had she not
made a gallant effort at recovery even as she left the room, and would
she not make a still greater effort while Adrian was there; assert her
rivalry if only in revenge?
She must meet that, Rachel decided, by presenting a contrast. She would
be meek and humble in her aunt's presence. Adrian might recognise the
admired airs and gestures in those of the old woman, but he should at
least have no opportunity to compare them....
And it was with this thought and intention in her mind that Rachel
received him, when he arrived with a lover's promptness a little before
four o'clock.
"Are you so dreadfully nervous?" he asked her, when they were alone
together in the drawing-room. "You're like you were the first day we
met in town--different from your usual self."
"Oh! What a memory you have for my looks and behaviour," she replied
pettishly. "Of course, I'm nervous."
He tried to argue with her, questioning her as to Miss Deane's probable
reception of him, but she refused to answer. "You'll see for yourself
in a few minutes," she said; but the minutes passed and still Miss
Deane did not come.
At a quarter to five the elderly parlour-maid brought in tea. "Miss
Deane said you were not to wait for her, Miss Rachel," was the message
she delivered. "She'll be down presently, I was to say."
Rachel could not suppress a scornful twist of her mouth. She had no
doubt that her aunt was taking very special pains with her toilet;
trying to obliterate, perhaps, her recent vision before the console
glass. Rachel saw her entrance in imagination, stiff-necked and proud,
defying the criticisms of youth and the suggestions of age.
"Oh! why doesn't she come and let me get it over?" she passionately
demanded, and even as she spoke she heard the sounds of some one coming
down the stairs, not the accustomed sounds of her aunt's finicking,
high-heeled steps, but a shuffling and creaking, accompanied by the
murmurs of a weak, protesting voice.
Rachel jumped to her feet. She knew everything then--before the door
opened, and she saw first of all the shocked, scared face of the
elderly parlour-maid who supported the crumpled, palsied figure of the
old, old woman who, three hours before, had been so miraculously young,
magically upheld and supported then by the omnipotent strength of an
idea.
She only stayed in the drawing-room for five minutes; a querulous,
resentful old lady, malignantly jealous, so it seemed, of their vigour
and impatient of their sympathy.
Public-domain text, read in full here on John Shaqi.
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