"Nothing. It was rough on him, but he hadn't played straight and so
nobody struck up for him. They made out a case against him--there was
some onlucky bit of evidence which I'll take my oath old Harry knew
something about--and William was done for. Ah, when things take a turn
against you it's as certain as twelve o'clock, when they take a turn;
you get no more chance than a rabbit from a weasel. It's like dropping
your matches into a stream, you needn't waste the bending of your back
to pick them out--they're no good on, they'll never strike again. And
Edith, she sat in court through it all, very white and trembling and
sorrowful, but when the judge put his black cap on they do say she
blushed and looked across at William and gave a bit of a smile. Well,
she had to suffer for his doings, so why shouldn't he suffer for hers.
That's how I look at it...."
"But God-a-mighty...!"
"Yes, God-a-mighty knows. Pretty girls they were, both, and as like as
two pinks."
There was quiet for some moments while the tiler and the mason emptied
their cups of beer. "I think," said Sam then, "the rain's give over
now."
"Ah, that it has," cried Bob. "Let's go and do a bit more on this
'bugging church or she won't be done afore Christmas."
THE CHRISTMAS PRESENT
By RICHMAL CROMPTON
(From _Truth_)
1922
Mary Clay looked out of the window of the old farmhouse. The view was
dreary enough--hill and field and woodland, bare, colourless,
mist-covered--with no other house in sight. She had never been a woman
to crave for company. She liked sewing. She was passionately fond of
reading. She was not fond of talking. Probably she could have been very
happy at Cromb Farm--alone. Before her marriage she had looked forward
to the long evenings with her sewing and reading. She knew that she
would be busy enough in the day, for the farmhouse was old and
rambling, and she was to have no help in the housework. But she looked
forward to quiet, peaceful, lamplit evenings; and only lately, after
ten years of married life, had she reluctantly given up the hope of
them. For peace was far enough from the old farm kitchen in the
evening. It was driven away by John Clay's loud voice, raised always in
orders or complaints, or in the stumbling, incoherent reading aloud of
his newspaper.
Public-domain text, read in full here on John Shaqi.
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