Authors, English -- 19th century -- Correspondence; Lamb, Charles, 1775-1834 -- Correspondence
evening till very late, so that I am stealing a few minutes to write
to you.
Thank you for your frequent letters; you are the only correspondent and,
I might add, the only friend I have in the world. I go nowhere, and have
no acquaintance. Slow of speech and reserved of manners, no one seeks or
cares for my society, and I am left alone. Austin calls only
occasionally, as though it were a duty rather, and seldom stays ten
minutes. Then judge how thankful I am for your letters! Do not, however,
burden yourself with the correspondence. I trouble you again so soon
only in obedience to your injunctions. Complaints apart, proceed we to
our task. I am called away to tea,--thence must wait upon my brother; so
must delay till to-morrow. Farewell!--_Wednesday_.
_Thursday_.--I will first notice what is new to me. Thirteenth page:
"The thrilling tones that concentrate the soul" is a nervous line, and
the six first lines of page 14 are very pretty, the twenty-first
effusion a perfect thing. That in the manner of Spenser is very sweet,
particularly at the close; the thirty-fifth effusion is most
exquisite,--that line in particular, "And, tranquil, muse upon
tranquillity." It is the very reflex pleasure that distinguishes the
tranquillity of a thinking being from that of a shepherd,--a modern one
I would be understood to mean,--a Damoetas; one that keeps other
people's sheep. Certainly, Coleridge, your letter from Shurton Bars has
less merit than most things in your volume; personally it may chime in
best with your own feelings, and therefore you love it best. It has,
however, great merit. In your fourth epistle that is an exquisite
paragraph, and fancy-full, of "A stream there is which rolls in lazy
flow," etc. "Murmurs sweet undersong 'mid jasmin bowers" is a sweet
line, and so are the three next. The concluding simile is far-fetched;
"tempest-honored" is a quaintish phrase.
Yours is a poetical family. I was much surprised and pleased to see the
signature of Sara to that elegant composition, the fifth epistle. I dare
not _criticise_ the "Religious Musings;" I like not to _select_ any
part, where all is excellent. I can only admire, and thank you for it in
the name of a Christian, as well as a lover of good poetry; only let me
ask, is not that thought and those words in Young, "stands in the
sun,"--or is it only such as Young, in one of his _better moments,_
might have writ?
"Believe thou, O my soul,
Life is a vision shadowy of Truth;
And vice, and anguish, and the wormy grave,
Shapes of a dream!"
I thank you for these lines in the name of a necessarian, and for what
follows in next paragraph, in the name of a child of fancy. After all,
you cannot nor ever will write anything with which I shall be so
delighted as what I have heard yourself repeat. You came to town, and I
saw you at a time when your heart was yet bleeding with recent wounds.
Like yourself, I was sore galled with disappointed hope; you had
Public-domain text, read in full here on John Shaqi.
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