The screen brightened again to show a rambling white house which
nestled in a grove of shade trees. Behind it, rose a small hill which
acted as a mere step toward the peaks of high mountains beyond. Before
it was a broad lawn, dotted with lounging furniture. Reflected in its
windows was the glow of the rising sun, which flood-lit the entire
scene. From the speakers came muted sounds. An insect chirped. Hurrying
footsteps crunched on gravel. There were soft rattles and bangs, and
somewhere a motor rumbled briefly, then coughed to silence.
"We are now," said a voice, "a few miles outside of the city of
Riandar, where Harle Waern had this summer estate built for him."
As the announcer spoke, the camera moved about to pick out details of
the estate. It showed a swimming pool back of the house. It swung
briefly about landscaped gardens, scanning across cultivated fields and
orchards. It flicked across a winding, tree-lined road, then came back
to a rough area before the smooth lawn.
Partially concealed from the house by waving grass and field weeds, men
were moving cautiously about the fields. Near a small hummock, a
loudspeaker rose from its stand, to face the house. A man lay not too
far from the base of the stand. Microphone in hand, he looked intently
through the grass, to study the windows of the house. Then he glanced
back to note the positions of the others.
The camera's viewpoint raised, to take in the entire scene beyond the
field. The sky blurred, then seemed to open, to show Daniel Stern's
long, thin face. He cast his eyes down for a moment, seeming to take in
the details of the scene, then stared straight at the audience, his
deep-set eyes glowing hypnotically.
"Here then," he said slowly, "is one of the properties which Harle
Waern bought while acting as Police Commissioner of Riandar. Here is a
mere sample of the gains he enjoyed for a time as the price of his
defections from his oath of office. And here is the stage he chose for
the final act, his last struggle against the nation he had betrayed."
His face faded from view, the deep-set eyes shining from the sky for a
time after the rest of the face had faded from view.
Then the camera swung again, to show a low-slung weapons carrier which
had pulled up a few dozen meters back of the man with the microphone.
About it, the air shimmered a little, as though a filmy screen lay
between vehicle and camera. It softened the harsh lines of the carrier
and its weapon, lending them an almost mystical appearance.
The crew chief was clearly visible, however. He was making adjustments
on one of the instruments on the projector mount. One of the crew
members stood by on the charge rack, busying himself with adjustments
on the charge activators. None of the crew looked toward the camera.
The loud-speaker clicked and rasped into life.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account