Government investigators -- Fiction; Impostors and imposture -- Fiction; Religious fiction; Romantic suspense fiction
how many more behind! He had been a fool to get into this carriage.
He might have known it would only trap him to his death. There seemed
absolutely no chance for escape now--yet he must fight to the last. He
put his hand on his revolver to make sure it was easy to get at, tried
to think whether it would not be better to chew up and swallow that
cipher message rather than to run the risk of its falling again into
the hands of the enemy; decided that he must carry it intact to his
chief if possible; and finally that he must make a dash for safety at
once, when just then the carriage turned briskly into a wide driveway,
and the attendant auto and motor-cycle dropped behind as if puzzled at
the move. The carriage stopped short and a bright light from an open
doorway was flung into his face. There seemed to be high stone walls on
one side and the lighted doorway on the other hand evidently led into
a great stone building. He could hear the puffing of the car and cycle
just behind. A wild notion that the carriage had been placed in front
of the house to trap him in case he tried to escape, and that he had
been brought to prison, flitted through his mind.
His hand was on his revolver as the coachman jumped down to fling open
the carriage door, for he intended to fight for his liberty to the last.
He glanced back through the carriage window, and the lights of the auto
glared in his face. The short, thick-set man was getting out of the
car, and the motor-cyclist had stood his machine up against the wall
and was coming toward the carriage. Escape was going to be practically
impossible. A wild thought of dashing out the opposite door of his
carriage, boldly seizing the motor-cycle and making off on it passed
through his mind, and then the door on his left was flung open and the
carriage was immediately surrounded by six excited men in evening dress
all talking at once. “Here you are at last!” they chorused.
“Where is the best man?” shouted some one from the doorway. “Hasn’t
he come either?” And as if in answer one of the men by the carriage
door wheeled and called excitedly: “Yes, he’s come! Tell him--tell
Jeff--tell him he’s come.” Then turning once more to Gordon he seized
him by the arm and cried: “Come on quickly! There isn’t a minute to
wait. The organist is fairly frantic. Everybody has been just as
nervous as could be. We couldn’t very well go on without you--you know.
But don’t let that worry you. It’s all right now you’ve come. Forget
it, old man, and hustle.” Dimly Gordon perceived above the sound of
subdued hubbub that an organ was playing, and even as he listened it
burst into the joyous notes of the wedding march. It dawned upon him
that this was not a prison to which he had come but a church--not a
court-room but a wedding, and horror of horrors! they took him for the
best man. His disguise had been his undoing. How was he to get out of
this scrape? And with his pursuers just behind!
Public-domain text, read in full here on John Shaqi.
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