The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II — John Shaqi
The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
General
The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
Literature -- Collections
But when you are reflecting upon objects of pity, pray do not forget
one, who had no sooner found out an object of the highest esteem than
he was separated from it; and who is so very unhappy as not to be
susceptible of consolation from others, by being so miserable in the
right as to think other women what they really are. Such a one can't
but be desperately fond of any creature that is quite different from
these. If the Circassian be utterly void of such honor as these have,
and such virtue as these boast of, I am content. I have detested the
sound of honest woman, and loving spouse, ever since I heard the
pretty name of Odaliche.
Dear Madam, I am forever yours,
My most humble services to Mr. Wortley.[10] Pray let me hear from you
soon, tho I shall very soon write again. I am confident half our
letters are lost.
III
HOW TO MAKE AN EPIC POEM[11]
It is no small pleasure to me, who am zealous in the interests of
learning, to think I may have the honor of leading the town into a
very new and uncommon road of criticism. As that kind of literature is
at present carried on, it consists only in a knowledge of mechanic
rules which contribute to the structure of different sorts of poetry,
as the receipts of good housewives do to the making puddings of flour,
oranges, plums, or any other ingredients. It would, methinks, make
these my instructions more easily intelligible to ordinary readers, if
I discoursed of these matters in the style in which ladies learned in
economics dictate to their pupils for the improvement of the kitchen
and larder.
I shall begin with epic poetry, because the critics agree it is the
greatest work human nature is capable of. I know the French have
already laid down many mechanical rules for compositions of this sort,
but at the same time they cut off almost all undertakers from the
possibility of ever performing them; for the first qualification they
unanimously require in a poet is a genius. I shall here endeavor (for
the benefit of my countrymen) to make it manifest that epic poems may
be made "without a genius," nay, without learning, or much reading.
This must necessarily be of great use to all those poets who confess
they never read, and of whom the world is convinced they never learn.
What Moliere observes of making a dinner, that any man can do it with
money, and if a profest cook can not without, he has his art for
nothing, the same may be said of making a poem--it is easily brought
about by him that has a genius, but the skill lies in doing it without
one. In pursuance of this end, I shall present the reader with a plain
and certain receipt, by which even sonneteers and ladies may be
qualified for this grand performance.
Public-domain text, read in full here on John Shaqi.
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