The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index — John Shaqi
The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index
General
The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index
Literature -- Collections
poetical fame to which he is fairly entitled.... Personally he is a
man to be admired, respected, but more especially beloved. His address
has all the captivating bonhomie which is the leading feature of his
poetry, and, indeed, of his whole moral nature. With his friends he
is all ardor, enthusiasm and cordiality, but to the world at large he
is reserved, shunning society, into which he is seduced only with
difficulty, and upon rare occasions. The love of solitude seems to
have become with him a passion.
[Footnote 8: Charles Sprague, born in Boston in 1791, was known in his
own day as "the American Pope."]
Macaulay has obtained a reputation which, altho deservedly great, is
yet in a remarkable measure undeserved. The few who regard him merely
as a terse, forcible and logical writer, full of thought, and
abounding in original views, often sagacious and never otherwise than
admirably exprest--appear to us precisely in the right. The many who
look upon him as not only all this, but as a comprehensive and
profound thinker, little prone to error, err essentially themselves.
The source of the general mistake lies in a very singular
consideration--yet in one upon which we do not remember ever to have
heard a word of comment. We allude to a tendency in the public mind
toward logic for logic's sake--a liability to confound the vehicle
with the conveyed--an aptitude to be so dazzled by the luminousness
with which an idea is set forth as to mistake it for the luminousness
of the idea itself. The error is one exactly analogous with that which
leads the immature poet to think himself sublime wherever he is
obscure, because obscurity is a source of the sublime--thus
confounding obscurity of expression with the expression of obscurity.
In the case of Macaulay--and we may say, _en passant_, of our own
Channing--we assent to what he says too often because we so very
clearly understand what it is that he intends to say. Comprehending
vividly the points and the sequence of his argument, we fancy that we
are concurring in the argument itself. It is not every mind which is
at once able to analyze the satisfaction it receives from such essays
as we see here. If it were merely beauty of style for which they were
distinguished--if they were remarkable only for rhetorical
flourishes--we would not be apt to estimate these flourishes at more
than their due value. We would not agree with the doctrines of the
essayist on account of the elegance with which they were urged. On the
contrary, we would be inclined to disbelief. But when all ornament
save that of simplicity is disclaimed--when we are attacked by
precision of language, by perfect accuracy of expression, by
directness and singleness of thought, and above all by a logic the
most rigorously close and consequential--it is hardly a matter for
wonder that nine of us out of ten are content to rest in the
gratification thus received as in the gratification of absolute
truth.
OLIVER WENDELL HOLMES
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