To those who wonder why some favorite bit of their own was omitted while something else for which they do not care at all has found a place I can only say that the editors, having supprest their own personal preferences, have proceeded on certain general principles which seem to be essential in making any selection either of verse or prose which shall possess broader and more enduring qualities than that of being a mere exhibition of the editor's personal taste. To illustrate my meaning: Emerson's "Parnassus" is extremely interesting as an exposition of the tastes and preferences of a remarkable man of great and original genius. As an anthology it is a failure, for it is of awkward size, is ill arranged and contains selections made without system, and which in many cases baffle all attempts to explain their appearance. On the other hand, Mr. Palgrave, neither a very remarkable man nor a great and original genius, gave us in the first "Golden Treasury" a collection which has no interest whatever as reflecting the tastes of the editor, but which is quite perfect in its kind. Barring the disproportionate amount of Wordsworth which includes some of his worst things--and which, be it said in passing, was due to Mr. Palgrave's giving way at that point to his personal enthusiasm--the "Golden Treasury" in form, in scope, and in arrangement, as well as in almost unerring taste, is the best model of what an anthology should be which is to be found in any language. Returning now to our questioner who misses some favorite and finds something else which he dislikes, the only answer, as I have just said, is that the collection is formed on certain general principles, as any similar collection of the sort must be. This series is called "The Best of the World's Classics," and "classics" is used not in the narrow and technical sense, but rather in that of Thoreau, who defined classics as "the noblest recorded thoughts of mankind." Therefore, the first principle of guidance in selection is to take examples of the great writings which have moved and influenced the thought of the world, and which have preeminently the quality of "high seriousness" as required by Aristotle. This test alone, however, would limit the selections too closely. Therefore the second principle of choice is to make selections from writers historically important either personally or by their writings. The third rule is to endeavor to give selections which shall be representative of the various literatures and the various periods through which, the collection ranges. Lastly, and this applies, of course, only to passages taken from the writers of England and the United States, the effort has been to give specimens of the masters of English prose, of that prose in its development and at its best, and to show, so far as may be, what can be accomplished with that great instrument, and what a fine style really is as exhibited in the best models. Everything contained in these volumes is there in