If the labors of men of science should ever create any material revolution, direct or indirect, in our condition, and in the impressions which we habitually receive, the poet will sleep then no more than at present, but he will be ready to follow the steps of the man of science, not only in those general indirect effects, but he will be at his side, carrying sensation into the midst of the science itself. The remotest discoveries of the chemist, the botanist, or mineralogist will be as proper objects of the poet's art as any upon which it can be employed, if the time should ever come when these things shall be familiar to us, and the relations under which they are contemplated by the followers of these respective sciences shall be manifestly and palpably material to us as enjoying and suffering beings. If the time should ever come when what is now called science, thus familiarized to men, shall be ready to put on, as it were, a form of flesh and blood, the poet will lend his divine spirit to aid the transfiguration, and will welcome the being thus produced as a dear and genuine inmate of the household of man. It is not, then, to be supposed that any one, who holds that sublime notion of poetry which I have attempted to convey, will break in upon the sanctity and truth of his pictures by transitory and accidental ornaments, and endeavor to excite admiration of himself by arts, the necessity of which must manifestly depend upon the assumed meanness of his subject. FOOTNOTES: [Footnote 6: From the famous "Preface" to the second edition of "Lyrical Ballads," published in 1800. The poems in the first edition of "Lyrical Ballads," published in 1798, had been the joint production of Wordsworth and Coleridge. The volume was published in Bristol by Cottle. It met with a cold, if not scoffing, reception, altho among its contents were the "Lines Written Above Tintern Abbey." When Cottle's publishing business was transferred to Longmans in 1799, the value of the copyright of "Lyrical Ballads," for which Cottle had paid the authors 30 guineas, was estimated at nothing. Cottle then presented the copyright to Wordsworth and Coleridge. Wordsworth, meanwhile, had written other poems and Longmans offered him L100 for a new and enlarged edition of "Lyrical Ballads," restricted to his own verse and to which Wordsworth was to contribute an explanatory preface, the same being the "Preface" which aroused a controversy now historical in the history of English poetry. Critics were deeply incensed at Wordsworth's defense of his own poems. The "Preface" was a revolutionary proclamation against the taste in poetry which had been established in a previous century.] SIR WALTER SCOTT