There comes a prodigious rattling and grinding noise from above--then a
jangle of bells, some half-dozen notes in all. At the first stroke the
old man closes his eyes, throws back his head, and follows the rhythm
with his long white hands, as though playing a piano. The sound dies
away; the place becomes painfully silent; still the regular motion of
the old man's hands continues. A creepy, shivery feeling runs up and
down my spine; a fear of which I am ashamed seizes upon me.
"Fine pells, sare," says the little old man, suddenly dropping his
hands, and fixing his eyes upon me. "You sall not hear such pells in
your countree. But stay not here; come wis me, and I will show you the
clavecin. You sall not see the clavecin yet? No?"
I had not, of course, and thanked him.
"You sall see Melchior, Melchior t'e Groote, t'e magnif'."
As he spoke we entered a room quite filled with curious machinery, a
medley of levers, wires, and rope above; below, two large cylinders
studded with shining brass points.
He sprang among the wires with a spidery sort of agility, caught one,
pulled and hung upon it with, all his weight. There came a r-r-r-r-r-r
of fans and wheels, followed by a shower of dust; slowly one great
cylinder began to revolve; wires and ropes reaching into the gloom above
began to twitch convulsively; faintly came the jangle of far-off bells.
Then came a pause, then a deafening _boom_, that well nigh stunned me.
As the waves of sound came and went, the little old man twisted and
untwisted his hands in delight, and ejaculated, "Melchior you haf
heeard, Melchior t'e Groote--t'e bourdon."
I wanted to examine the machinery, but he impatiently seized my arm and
almost dragged me away saying, "I will skow you--I will skow you. Come
wis me."
From a pocket he produced a long brass key and unlocked a door covered
with red leather, disclosing an up-leading flight of steps to which he
pushed me. It gave upon an octagon-shaped room with a curious floor of
sheet-lead. Around the wall ran a seat under the diamond-paned Gothic
windows. From their shape I knew them to be the highest in the tower. I
had seen them from the square below many times, with the framework above
upon which hung row upon row of bells.
Public-domain text, read in full here on John Shaqi.
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