The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Some men are like the twang of a bow-string. Hardy was like that--short,
lithe, sunburned, vivid. Into the lives of Jarrick, Hill, and myself,
old classmates of his, he came and went in the fashion of one of those
queer winds that on a sultry day in summer blow unexpectedly up a city
street out of nowhere. His comings excited us; his goings left us
refreshed and a little vaguely discontented. So many people are gray.
Hardy gave one a shock of color, as do the deserts and the mountains he
inhabited. It was not particularly what he said--he didn't talk much--it
was his appearance, his direct, a trifle fierce, gestures, the sense of
mysterious lands that pervaded him. One never knew when he was coming to
New York and one never knew how long he was going to stay; he just
appeared, was very busy with mining companies for a while, sat about
clubs in the late afternoon, and then, one day, he was gone.
Sometimes he came twice in a year; oftener, not for two or three years
at a stretch. When he did come we gave him a dinner--that is, Jarrick,
Hill, and myself. And it was rather an occasion. We would procure a
table in the gayest restaurant we could find, near, but not too near,
the music--Hill it was who first suggested this as a dramatic bit of
incongruity between Hardy and the frequenters of Broadway--and the
most exotic food obtainable, for a good part of his time Hardy, we
knew, lived upon camp fare. Then we would try to make him tell about
his experiences. Usually he wouldn't. Impersonally, he was entertaining
about South Africa, about the Caucasus, about Alaska, Mexico, anywhere
you care to think; but concretely he might have been an illustrated
lecture for all he mentioned himself. He was passionately fond of
abstract argument. "Y' see," he would explain, "I don't get half as
much of this sort of thing as I want. Of course, one does run across
remarkable people--now, I met a cow-puncher once who knew Keats by
heart--but as a rule I deal only with material things, mines and
prospects and assays and that sort of thing." Poor chap! I wonder
if he thought that we, with our brokering and our writing and our
lawyering, dealt much with ideas! I remember one night when we sat
up until three discussing the philosophy of prohibition over three
bottles of port. I wonder how many other men have done the same thing!
Public-domain text, read in full here on John Shaqi.
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