The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
At times the muffled conversation in the kitchen resembled the resonant
humming of bees, and again, when it became animated, it sounded like the
distant cackling of geese. Then there would come a pause; and it would
begin again with sibilant whispers, and end in a chorus of dry laughter
that somehow suggested the crackling of burning logs.
Occasionally a figure would open the bedroom door, pass the old man
as he sat huddled in his chair, never throwing a glance at him, and
go and kneel by the side of the bed where the body was. They usually
prayed for two or three minutes, then rose and walked on tiptoe to the
kitchen, where they joined the company. Sometimes they came in twos,
less often in threes, but they did precisely the same thing--prayed
for precisely the same time, and left the room on tiptoe with the same
creak of shoe and rustle of clothes that sounded so intensely loud
throughout the room. They might have been following instructions laid
down in a ritual.
The old man wished to heaven they would stay away. He had been sitting
in his chair for hours, thinking, until his head was in a whirl. He
wanted to concentrate his thoughts, but somehow he felt that the
mourners were preventing him.
The five candles at the head of the bed distracted him. He was glad when
the figure of one of the mourners shut off the glare for a few minutes.
He was also distracted by the five chairs standing around the room like
sentries on post and the little table by the window with its crucifix
and holy-water font. He wanted to keep thinking of "herself," as he
called her, lost in the immensity of the oaken bed. He had been looking
at the pinched face with its faint suspicion of blue since early that
morning. He was very much awed by the nun's hood that concealed the back
of the head, and the stiffly posed arms and the small hands in their
white-cotton gloves moved him to a deep pity.
Somebody touched him on the shoulder. "Michael James."
It was big Dan Murray, a gaunt red farmer, who had been best man at his
wedding.
"Michael James."
"What is it?"
"I hear young Kennedy's in the village."
"What of that?"
"I thought it was best for you to know."
Murray waited a moment, then he went out, on tiptoe, as everybody did,
his movements resembling the stilted gestures of a mechanical toy.
Down the drive Michael heard steps coming. Then a struggle and a shrill
giggle. Some young people were coming to the wake, and he knew a boy had
tried to kiss a girl in the dark. He felt a dull surge of resentment.
She was nineteen when he married her; he was sixty-three. Because he had
over two hundred acres of land and many head of milch and grazing cattle
and a huge house that rambled like a barrack, her father had given her
to him; and young Kennedy, who had been her father's steward for years,
and had been saving to buy a house for her, was thrown over like a bale
of mildewed hay.
Public-domain text, read in full here on John Shaqi.
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