The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
On that third day I was dispatching from brigade-headquarters to the
trenches. The General and his staff stood in a shepherd's house in the
midst of a circle of rocks. Waiting there I began to understand that
they were having difficulty in forcing the men forward in the later
charges. The lines could see their dead of former advances, black and
countless upon the valley snow. This was not good for the trenches.
... Now I realized that they were talking of Chautonville, the singer,
the master of our folk-songs. We had heard of him along the line--how
he had come running home to us out of Germany at the last moment in
July--literally pelted forth, changed from an idol into an enemy and
losing a priceless engagement-series on the Continent. He had not been
the least bewildered, as the story went, rather enjoying it all....
They had monopolized him at the central headquarters, so that we had
not heard him sing, but the gossip of it fired the whole line--a
baritone voice like a thick starry dusk, having to do with magnolias
and the south, and singing of the Russia that was to mean the world.
Somehow he had made us gossip to that extent. So I was interested now
to hear the name of Chautonville, and that he was coming.
He was to sing us forward again. There was a pang in that, as I craned
forward to look at the valley. It was not for our entertainment, but
to make us forget our dead, to make us charge the valley again over our
dead--it being planned that a remnant might make the crossing and charge
the emplacements.... He came--a short barrel of a man and fat. They had
kept him well at the Center. He was valuable in the hospitals, it was
said.
The least soldierly kind of a man I had seen in many days, save the
Brigadier--so white and fat was Chautonville, the top of his head
small, his legs short and thick, hands fat and white and tapering,
a huge neck and chin with folds of white fat under it--a sort of a
perfect bird dressed for present to the Emperor. Chautonville was
big-eyed with all this--large, innocent brown eyes--innocent to me,
but it was the superb health of the creature, his softness, clearness
of skin and eye, that gave the impression to us, so lean and stringy.
For his eyes were not innocent--something in them spoiled that. We
were worn to buckskin and ivory, while here was a parlor kind of
health--so clean in his linen, white folds of linen, about his collar
and wrists. His chest was a marvel to look at--here in the field after
weeks in the Carpathians. We were all range and angles, but this was a
round barrel of a man, as thick as broad, his lips plump and soft,
while we for weeks had licked a dry faded line, our faces strange with
bone and teeth.
"What is it?" he asked the General.
I thought of a little doctor, called by others after consultation--an
extra bit of dexterity required, this being the high-priced man. There
was that indoor look of a barber about him, too.
Public-domain text, read in full here on John Shaqi.
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