The best short stories of 1917, and the yearbook of the American short story — John Shaqi
The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Hetty, she just stands there, just as easy, and hollers back that
Cronney has bought a gramophone and how they sets by it day and night
listening, and how it's son and daughter to 'em. Then she calls up to
Mabel Tuttle, 'I should think you'd be afraid of meddlin' with them
ottermobiles, _your_ time of life.'"
Mr. Tinneray choked over his own rendition of this audacity, but his
wife sniffed hopelessly.
"_They_ ain't got no gramophone--_her_, with that face and hat?--Cronney
don't make nothing; they two could _live_ on what that Blue Silk Quilt
feeds that stinkin' parrot."
But Mr. Tinneray chuckled again, he seemed to be possessed with the
humor of some delightful secret. Looking carefully around him and seeing
every one absorbed in other things he leaned closer to his wife.
"She's liable to lose that bird," he whispered. "Them young fellers with
the canes--they're full of their devilment--well, they wanted I
shouldn't say nothing and I ain't sayin' nothing--only--"
Fat Mr. Tinneray, pale eyes rolling in merriment, pointed to the
camp-stool where once the parrot's cage had rested and where now no
parrot-cage was to be seen.
"As fur as I can see," he nudged his wife again, "that bird's liable to
get left ashore."
For a moment Mrs. Tinneray received this news stolidly, then a look of
comprehension flashed over her face. "What you talkin' about, Henry?"
she demanded. "Say, ain't you never got grown up? Where's Manda Bean?"
Having located Mrs. Bean, the two ladies indulged in a rapid whispered
conversation. Upon certain revelations made by Mrs. Bean, Mrs. Tinneray
turned and laid commands upon her husband.
"Look here," she said, "that what you told me is true--them young
fellers--" she fixed Mr. Tinneray with blue-glassed significant eyes,
adding _sotto voce_, "_You keep Mabel Tuttle busy_."
Fat Mr. Tinneray, chuckling anew, withdrew to the after-rail where the
azure lady still stood, chained as it were in a sort of stupor induced
by the incisive thrusts of the forlorn little woman on the wharf. He
joined in the conversation.
"So yer got a gramophone, hey," he called down kindly--"Say, that's
nice, ain't it?--that's company fer you and Cronney." He appealed to
Mrs. Tuttle in her supposed part of interested relative. "Keeps 'em from
gettin' lonesome and all," he explained.
That lady looking a pointed unbelief, could not, with the other
excursionists watching, but follow his lead.
"Why--er--ye-ess, that's rill nice," she agreed, with all the patronage
of the wealthy relative.
Little Mrs. Cronney's eyes glittered. The steamboat hands had begun
lifting the hawsers from the wharf piles and her time was short. She was
not going to be pitied by the opulent persons on the excursion. Getting
as it were into her stride, she took a bolder line of imagery.
Public-domain text, read in full here on John Shaqi.
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