The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I didn’t, of course, though, gather at her first mention of his coming
half that it meant to her. And she wouldn’t, I might have known, with
her regard for the _nuances_, have let it baldly appear. But I
discovered afterward that she had made all sorts of overtures—done her
utmost to divert him to Newfair. She didn’t know him; had never set eyes
on him; but her reputation, which was considerable even then, helped her
a good deal. For she solicited news of him from her publishers; and she
wrote Mrs. ——, whatever her name was, finally, when she learned that
that was the real right source to appeal to, a no doubt handsome letter,
whence came the reply Miss Haviland had quoted to me, but which, as I
also afterward found out, only asked very simply, “in view of the
uncertainty of Mr. Oaks’s plans,” whether or not he could, in case he
had to, “spend the night there.”
Well, it eventuated, not strictly in accord with her wire-pulling, that
Hurrell Oaks’s route was changed so he could “run through” in the late
afternoon “for a look at the college.” He was to be motoring to a place
somewhere near, as it happened, and the Newfair detour would lengthen
his schedule by only an hour or two. Word of it didn’t come to her
directly, either; that letter was addressed to the president. But it was
humbly referred to Miss Haviland in the course of things, and she took
the matter—what was left of it—into her own hands.
“No,” she answered, unyielding to the various suggestions that cropped
up. “But I’ll tell you what I am willing to do: I will give up my own
little flat. Living in London as he does, he will feel—quite at home
there.”
Funny though it is, looking back over it, it had also, when all was said
and done—particularly when all was done—its pathetic side. For Hurrell
Oaks was the one sincere passion of her life. He was religion and—and
everything to her. The prospect of seeing him in the flesh, of hearing
him _viva voce_, was more than she had ever piously believed could come
to pass.
However much she imitated him—and remember, a large following bears
witness to her skill—however she failed in his beauty and poetry and
thoroughbredness, she must have had a deep, a discriminating love of his
genius to have taken her thus far. No wonder she couldn’t, with her
precise sense of justice, _not_ be the chosen person at Newfair to
receive him. But nobody dared question the justice of it, really. Wasn’t
she the _raison d’être_ of his coming?—of his being anywhere at all, as
some people thought?
Her very demeanor was mellowed by the prospect. She set about the task
of preparation with an ardor as unprofessed as it was apparent. She
doffed the need of impressing any one in her zeal to get ready to
impress Hurrell Oaks.
Public-domain text, read in full here on John Shaqi.
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