The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Her tone became warm and affluent as she went about asking this person
and that to lend things for the great day: Mrs. Edgerton’s Monet, Mrs.
Braxton’s brocades; a fur rug of Mrs. Green’s she solicited one noon on
the campus as if from a generous impulse to slight no one. And even when
Mrs. Green suggested timidly that she would be glad “to pay for having
the invitations engraved,” Miss Haviland didn’t correct her. But—
“No, dear,” she said. “I think I won’t let you do that much—_really_.
There aren’t to be so many, and I shall be able to write them myself in
no time.”
I can see her now, fingering her pearls and peering as hospitably as she
could manage into Mrs. Green’s commonplace eyes, and George Norton
hurrying across the grass to catch a word with her without avail. He was
the only person whom she was, during those perfervid preliminaries, one
bit cruel to.
But him she overlooked entirely. She didn’t seem to see him that day at
all. She just peered obliquely beyond him, and, engrossed quite
genuinely, no doubt, in Mrs. Green’s fur rug, took her arm and strolled
off. She had lost, for the time being, all use for him. He was left
deserted and alone at the teas and gatherings, magnetized from one spot
to another whither she moved forgetfully away.
I met him in the park and pitied his shy, inept efforts not to appear
neglected.
“Well, I kind of think it may rain,” he essayed, half clasping his small
hands behind him and looking sociably up around the sky for a cloud.
“But I don’t know as it will, after all.” And then, “Have you seen Miss
Haviland lately?” he asked out in spite of himself.
“Not since yesterday’s class.”
“How’s the improvements coming?”
“All right, I guess. The new stuff for the walls arrived, I heard. It
hasn’t been put on yet.”
“Oh—she’s papering, is she?”
“And painting.”
He tried to sparkle appreciatively. “Well, it takes time to do those
things. You never know what you’re in for. She’s well?”
And he swayed back and forth on his heels, and teetered his head
nervously. Poor thing! The gap he had tried so hard to bridge was filled
to brimming now by the promised advent of Hurrell Oaks.
Miss Haviland called me on the telephone one afternoon as the day was
approaching to ask if I would lend her my samovar; and she wanted I
should bring it over presently, if possible, as she was slowly getting
things right, and didn’t like to leave any more than was necessary to
the last moment. So I polished the copper up as best I could and went
’round that evening to the New Gainsborough to leave it.
Public-domain text, read in full here on John Shaqi.
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