The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“How else would I get it?” said Corey, with a kind of abandon, as if he
were confessing now to some fullness of shame. “You see, she’s right. I
couldn’t resist.”
Mr. Ewing was lost. “Resist what?”
“This!” Corey closed his fingers now on the _Croix_. “A new decoration!”
And then, as if every atom of his great, strong body had suddenly
succumbed to some long-growing exhaustion, Corey dropped down into a
chair and threw out his arm across the table as if he would put away
from him as far as possible that offending decoration.
“But when?”—Mr. Ewing found himself reiterating—“when—when—you haven’t
been away—”
“Oh, yes,” said Corey. “You remember, in August.”
And here Mr. Ewing confessed that he thought for a moment that Corey
must be hopelessly mad. There was the question of time, and a dozen
other questions besides. It seemed out of the realm of possibility, out
of the realm of reason.
“How did you keep her from knowing?”
Mr. Ewing had not wanted to ask—had hoped the point would explain
itself—and Corey looked for a moment as if he might be planning an
evasion—then braced himself and looked Mr. Ewing straight in the eyes. A
faint expression of scorn came round his mouth, as if he spoke of
another—a scoundrel who hardly deserved his scorn.
“I left letters—dated ahead—with the scrubwoman at the laboratory to
mail.” He said it, took his eyes from Mr. Ewing’s, and then he appeared
to wait.
Mr. Ewing sat there filled with a kind of amazement, touched with fear
for what should come next, and suddenly he became conscious that Corey
was watching him with what seemed a tremendous anxiety, waiting for him
to speak. And a moment later, apparently no longer able to bear that
silence, Corey leaned nervously toward Mr. Ewing, and asked in the tone
of one seeking an answer of utmost importance: “You don’t see it? You
don’t see what she saw?”
“See what?” said Mr. Ewing—“what _who_ saw?” Yet he knew that Corey had
meant his wife. It was she who had found the _Croix_ ... but what did he
mean she had seen?
“Don’t keep it back—just to be decent! She said it was plain, plain
enough for anybody to see. What I want to _know_ is if everybody knew it
but me!”
“Knew what?” cried poor Mr. Ewing, lost more completely now than before.
“Knew why I’ve done all the things I’ve done—run all the risks. Why I
went over there this time, in August, without letting her know—God knows
_I_ didn’t know why!—why I’ve _always_ gone!”
“Why have you?” The question asked itself.
“Because I wanted the decorations! The damned orders and medals and
things! Because I couldn’t resist getting a new one—wherever I saw a
chance. Do you believe a man could be as—as _rotten_ as that, all his
life, and not know it himself?”
Public-domain text, read in full here on John Shaqi.
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