The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Tell him,” he said, “that it breaks a man’s luck to know what he
wants.”
“Yes,” said Burke. “Is there anything else?”
The strength had drained out of Corey’s voice with the last words. Again
he waited while he seemed to decide. And when he spoke, at last, a
strange gentleness had come into his tone, so that Burke was not
surprised to hear that the message was meant now for a woman.
“Tell him,” said Corey, “there’s no use letting _her_ know about the
_Medaille Militaire_.”
And although Burke had divined some obscure meaning in Corey’s words, he
was yet not quite certain that he had heard aright. “You mean that she’s
_not_ to know?”
Corey nodded his head, yes, and Burke saw that he was no longer able to
speak. Turning, he motioned an orderly to his side, and whispered that
he was afraid Corey would never last until eleven.
The orderly sped away, and a moment later the French doctor in charge
stood beside Corey’s stretcher, opening his hypodermic case.
And then, Burke said, he had done what seemed to him the “queerest”
thing of all. He had made a signal for Burke to come nearer, and when he
had leaned down, he said, “Remember to tell him I didn’t take _that_.”
He was looking at the hypodermic the doctor held in his hand.
“But the _Medaille_—” began Burke, and was stopped by the strangeness of
Corey’s expression. He had, he said, smiled a secret mysterious smile,
and closed his eyes with a curious look of contentment.
And even the French doctor had seen, by something in his faint gesture
of refusal, that Corey would never submit to his restorative. He put the
case down on a box, with a nod to the orderly, in case Corey should
change his mind.
And Burke had stayed by until the Division General, just half an hour
too late, had arrived at exactly eleven o’clock. Corey had not changed
his mind....
That, then, was the end of the story.
So much affected was I at the nature of poor Corey’s death that I almost
forgot Mr. Ewing, sitting there across from me in our comfortable
smoking-car, and that he might, in all decency, expect some comment from
me. Indeed, I think I should have forgotten altogether if I had not felt
after a little a relaxation of his long-continued gaze, and I knew he
was going to speak.
“Why,” he said, “do _you_ think he didn’t want her to know?”
So that was the thing which had puzzled him in New York, the thing which
still puzzled him now.
Well, it had puzzled me, too; and I could give him no answer, except to
confess that I didn’t know. But long after the train had passed through
Dubuque, and Mr. Ewing and I had said good-by, an answer, perhaps right,
perhaps wrong, presented itself to my mind.
If one followed Corey at all, one must follow him all the way; perhaps
he had wished to save her the pang of an added disgrace.
THE DARK HOUR
_By_ WILBUR DANIEL STEELE
From _The Atlantic Monthly_
_Copyright, 1918, by The Atlantic Monthly Co._
_Copyright, 1919, by Wilbur Daniel Steele._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account