The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Have it if you like. Money and what money buys is all I want from now
on,” said Hazelton, and he shook his shoulders grossly and sensually
while his nervous hands, the hands whose work the picture was, twisted
themselves as though in agonized protest.
Hazelton went back to his studio and stood before his blond pictures,
the children of his heart. It was already evening, but they shone out in
the dim light. He was a little tipsy.
“So,” he said to them—“so all these years you have deceived me, as many
a man has been deceived before by his beloved. Your flaunting smiles
made me think you were what you are not. Dumont was right—my
foster-child is better than you, for she made her way alone and without
favor. I tried to think I had painted the impossible. Light is beyond
me. Why should I think I could paint light? I am a child of darkness and
misfortune. I know who my beloved is. You shall no longer work to
support your sister!”
“What are you doing?” came his wife’s querulous voice. “Talking and
mumbling to yourself before your pictures in the dark? Are you drunk
again?”
――――
Some months passed before De Vilmarte and Hazelton met again. They ran
into each other on the corner of the Boulevard Raspail and the Boulevard
du Montparnasse.
“Hey! What are you doing so far from home?” cried Hazelton.
“Looking for you.”
“I was going to you,” Hazelton acknowledged.
They stared at each other scrutinizingly, each measuring the other with
dawning distrust. Each waited.
“Let us go to the Rotonde,” Hazelton suggested.
They talked of other things, each waiting for the other to begin.
Hazelton had the most resistance; he had flipped a penny as to whether
he should go to seek De Vilmarte, but De Vilmarte had made his decision
with anguish. It was he who finally said:
“You know—about the matter of the picture—my mother is quite frantic
about my success. She is failing—”
“_Toc!_” cried Hazelton. “My poor wife has to go to the hospital.”
“Nothing to do, I know,” said De Vilmarte, looking away diffidently,
“but for one’s mother—”
“But for one’s wife,” Hazelton capped him, genially. “An aged mother and
a sick wife, and a joke on the world shared between two friends— What
will a man not do for his sick wife and for his aged mother!”
A little shiver of cold disgust ran over Raoul. For the first time he
felt a vague antipathy for Hazelton, his neck was so short and he rolled
his big head in such a preposterous fashion.
They said good-by, Hazelton’s swagger, De Vilmarte’s averted eyes
betraying their guilty knowledge that they had bought and sold things
that should not be for sale.
Public-domain text, read in full here on John Shaqi.
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