The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Just how it came to be a settled affair neither De Vilmarte nor Hazelton
could have told. Now an exhibition occurred for which De Vilmarte needed
a picture; now Hazelton dogged by his need of money would come to him.
Hazelton’s wife was always ailing. Her beauty and her disposition had
been undermined by ill-health and self-indulgence, and he was one of
those men temperamentally in debt and always on the edge of being sued
or dispossessed.
But in Hazelton’s brain a fantastic and mad sense of rivalry grew. He
had transferred his affection to his darker mood. Every notice of De
Vilmarte’s name rankled in his mind. De Vilmarte’s growing vogue
infuriated him. He felt that he must wring from the critics and the
public the recognition that was his due so that this child of his, born
of his irony and his despair, and that had been so faithful to him in
spite of abuse, might be crowned. Just what had happened to both of them
they realized after the opening of the _Salon_ next year.
“Take care,” Hazelton had warned De Vilmarte, “that they do not hang you
better than they do me. That I will not have.” He had said it jokingly;
but while De Vilmarte’s exhibit was massed, and he had won the second
medal, Hazelton’s was scattered, and he had but one picture on the line;
worse still, the critics gave Hazelton formal praise while they
acclaimed De Vilmarte as the most promising of the younger school of
landscape-painters.
De Vilmarte sought out Hazelton, full of a sense of apology. He found
him gazing morosely into his glass of absinthe like one seeing
unpleasant visions.
“It is really too strong,” Raoul said. “I am sorry.”
“It’s not your fault,” Hazelton replied, listlessly. “It’s got to stop,
though!” He did not look up, but he felt the shock that traveled through
De Vilmarte’s well-knit body. “It’s got to stop!” he repeated. “It’s too
strong, as you say.”
There was a long silence, a silence full of gravity, full of despair,
the silence of a man who has suddenly and unexpectedly heard his death
sentence, a silence in whose duration De Vilmarte saw his life as it
was. He had begun this as a joke, after his first agonized indecision,
and now suddenly he saw not only his mother but himself involved, and
the honor of his name. He waited for Hazelton to say something—anything,
but Hazelton was chasing chimeras in the depths of his pale drink. As
usual, his resistance was the greater. He sat hunched and red, his black
hair framing his truculent face, unmindful of Raoul.
“It has gone beyond a joke,” was what Raoul finally said.
“That’s just it,” Hazelton agreed. “My God! Think how they have hung
you—think how they have hung me. Where do I get off? Have I got to work
for nothing all my life?”
“The recognition—you know what that means—it means nothing!” cried
Raoul.
Hazelton did not answer.
“But I can’t—confess now!” Raoul’s anguish dragged it out of him. “I
could afford to be a _farceur_—I cannot afford to be a cheat.”
Public-domain text, read in full here on John Shaqi.
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