The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“My poor friend, there is no way out,” said Hazelton. “I am vile—a
beast. But trust me—believe in me.”
“I will,” cried De Vilmarte, deeply touched.
Hazelton’s little jewel-like eyes were blurred with unwonted sentiment.
“I am a king in exile,” he muttered over and over. “A king in exile,” he
repeated. This sentimental simile seemed to be a well of bitter comfort
for him.
This story should end here, for stories should end like this, on the
high note; but life is different. Hazelton was a man with a bad liver,
and he got no joy from his sacrifice. Moreover, in real life one seldom
fights a decisive battle with one’s lower nature. One goes on fighting;
it dies hard when it dies at all. There are the high moments when one
thinks the battle won, and the next day the enemy attacks again, with
the battle to be fought over.
Hazelton had formed the habit of cursing fate and De Vilmarte, and, to
revenge himself, of threatening De Vilmarte’s exposure, and he continued
to do these things. And De Vilmarte let his mind stray far in
contemplating Hazelton’s possible vileness, and in doing this he himself
became vile. What he could not recognize was the definite place where
Hazelton’s vileness stopped. His life was like a fair fruit rotten
within.
It was the summer of 1914, and Hazelton, whose drunkenness before had
been occasional, now drank always, and forever in the background of De
Vilmarte’s mind was this powerful figure with its red face and black
hair and truculent bearing, drunken and obscene, who carried in his
careless hand the honor of the De Vilmartes. At any moment Hazelton
could rob Raoul of his pride, embitter his mother’s last hours, and make
him the laughing stock of his world. Raoul became like an entrapped
animal running around and around the implacable barriers of a cage. It
is a terrible thing to have one’s honor in the hands of another.
He thought of everything that might end this torment, and he found no
answer. Madness grew in him. Wherever Raoul de la Tour de Vilmarte went,
there followed him unseen a shadow, swart, dark, and red-faced. It
followed him, mouthing, “Ra-o-u-l—Ra-o-u-l!” like a cat. “Ra-o-u-l!
Ra-o-u-l!” from morning till night. When De Vilmarte was at a table in a
café a huge and mocking shadow sat beside him, and it said, wagging its
head in a horrid fashion, “There’s death in our little drama, _hein, mon
vieux_?”
The fate that had made their interests one, bound them together. They
sought each other out to spend strange and tortured hours in each
other’s company, while in the depths of Raoul’s heart a plan to end the
torture was coming to its own slow maturity, and grew large and dark
during the hot days of July. He could not continue to live. The burden
of his secret weighed him down. Nor could he leave Hazelton behind him,
the honor of the De Vilmartes in his hands.
Public-domain text, read in full here on John Shaqi.
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