The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Who’s there?” quavered Miss Frenzy. She sat up; then, looking like a
nut-colored Persian in her strange-figured wrapper, she got out of bed
and held high the lamp that burned all night on her chair. The cold made
her gray face quiver, but she shuffled bravely into the store where the
street light still flickered its bleak question.
On the shop floor lay a figure. Its abandon had a stark quality, as if
it had been buffeted and abandoned to unappeased tortures of the
elements. The old spinster, lamp in hand, leaned shivering over it. It
was a little scrap of life’s tragedy that had blown like a dead leaf in
Miss Frenzy’s path; she was not prepared for it. “Not dead? Not dead?”
she quavered. Well, yes, it was dead. Miss Frenzy could see animation,
the thing we call “life,” but even she knew that it was dead youth, with
all its fairy powers lost, that she looked upon. She bent closely to
stricken lips that muttered a tuneless kind of song:
“_The night train.... If I go back, if I go back ..._” There was a long
silence and then the young voice chanted, deliriously, “_In Miss
Frenzy’s garden ... the fences are high ..._”
The girl’s body lay with the stamp of primal woe fixed indelibly upon
it. It was wastage in the social scheme, yet it had something of torn
petal, of wind-blown butterfly, of wings that had been frozen while
fluttering at the very center of the flower of life. Protest dragged at
Miss Frenzy’s heart.
“_Young_,” muttered the cracked voice. “_Young._” The tears tore to the
near-sighted eyes. Out of the old maid’s defeated being came the curious
sense of being true to something; of loyalty to hidden forces life had
hitherto kept her from recognizing. As she might have raised a vestal
virgin struck down by her flame she raised the piteous form. Staggering
to her deserted bed, Miss Frenzy laid the girl in its warmth. She drew
off the wrecked red clothing, she made a hot drink and got it somehow
between the locked lips. “There, there!” sobbed Miss Frenzy. She knew
that “There, there” was what mothers said to their hurt children, and
yet she was not a mother—and this—oh, this was not a child!
When at last the exhausted frame shuddered down to sleep the old
storekeeper moved away, shutting the bedroom door. She went back into
the shop and roamed restlessly hither and yon. The electric light had
gone out and dawn was stealing in. On every hand some article of woman’s
clothing interrogated her. Lace collars, immaculate in their set
pattern, swayed fastidiously from her absent touch; the cards of buttons
eyed her curiously; bolts of smooth, conventional satin ribbon conveyed
calm judgments. With a frightened look, she turned out the lamp and sat
sleepless at the store window....
All that winter Miss Frenzy held her little fort alone; her gentle face
grew sterner, her careful speech more and more stilted. To all
inquiries, curious, suave, or critical, she returned the invariable
statement:
Public-domain text, read in full here on John Shaqi.
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