The best short stories of 1918, and the yearbook of the American short story — John Shaqi
The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Well, we went. All of us. Even to Madam Hallowell, in lilac chiffon and
white fox fur, looking like the Wicked Fairy done by Drian; even to Aunt
Charlotte, wearing the Curtice emeralds, her sainted nose held at an
angle that suggested burnt flannel. I’ll say for Mrs. Connable that she
did it extremely well. The great, beautiful house was thrown open from
turret to foundation-stone. Fortune-tellers lurked in gilded tents; gay
contadinas sang and sold their laces—the prettiest girls from the Folies
at that; Carli’s band, brought from New York to play fox-trots;
cleverest surprise of all, the arrival, at five o’clock, of a lordly
limousine conveying three heavenborn “principals,” a haughty young
director in puttees, a large camera. Would Mrs. Connable’s guests
consent to group themselves upon the beach as background for the
garden-party scene of “The Princess Patricia”—with Angela Meadow, from
the Metropolitan, as the Princess, if you please, and Lou-Galuppi
himself as the villain?
Mrs. Connable’s guests would. All the world loves a camera, I reflected,
as I observed Madam Hallowell drift languidly to the centre-front, the
chill Cadwalladers from Westchester drape themselves unwittingly but
firmly in the foreground, the D’Arcy Joneses stand laughingly holding
hands in the very jaws of the machine. But Doctor Lake was the
strategist of the hour. Chuckling in innocent mirth, he chatted with the
radiant Angela until the director’s signal brought the villain
swaggering from the side-lines; then, gracefully dismayed, he stepped
back at least six inches. If the camera caught Angela at all, the doctor
would be there—every eminent inch of him.
“Ready—camera!”
The joyous chatter stilled. On every face fell smug sweetness, as a
chrism. Clickety-click, click-click—
Then, amazingly, another sound mingled with that magic tick, rose,
drowned it to silence—the high, snarling whine of a swift-coming
aeroplane.
“Keep your places, please! Eyes right!”
Nobody heard him. Swung as on one pivot, the garden-party turned toward
the harbor, mazed, agape. Across that silver water, flying so low its
propeller flashed through diamond spray, straight toward the crowd on
the beach it came—the aeroplane from East Gloucester.
“There, I _knew_ he’d butt in just at the wrong minute! I ordered him
for six, sharp!” Mrs. Connable’s voice rang hotly through the silence.
“Hi, there! Land farther down the beach; we ain’t ready for you. Go on,
I tell you! Oh, oh, my gracious goodness me! He’s a-headin’ right on top
of us—”
Public-domain text, read in full here on John Shaqi.
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