The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The regular boarders of the Hôtel de France, after the fashion of folks
who find their meal a duty to be promptly despatched, had departed, but
the transients still lingered over their _café noir_ and cognac in the
hope that something exciting might materialize.
As the sound of Fernet’s voice died away, a man who had been sitting in
an extreme corner of the room scraped back his chair and rose. Fernet
looked up. The man was a hunchback, and, instead of paying for his meal
and leaving, he crossed over and said to Fernet, in the most perfect
French imaginable:
“I see, my young fellow, that you are discussing something of interest
with your friends here. Would it be impertinent for me to inquire into
the subject?”
Fernet drew out a chair for the newcomer, who seated himself.
“By no means. We were discussing a murder and suicide. The murdered man
was an Italian fisherman who lodged at the Hôtel des Alpes Maritimes,
the suicide was a musician named Suvaroff.”
“Ah,” said the hunchback, cracking his fingers. “Why a murder and
suicide? Why not two murders?”
“Because,” returned Fernet, pompously, “it was abundantly proved to the
contrary. This man Suvaroff suffered from neuralgia; the Italian
fisherman was given to playing the accordion at all hours of the night.
Suvaroff was, in addition, a musician—a high-strung person. The
Italian’s playing was abominable—even his landlady says as much. In
short, Suvaroff deliberately killed this simple-minded peasant because
of his music. Then, in a fit of remorse, he killed himself. I leave it
to any one here to dispute the fact. Besides, I was on the coroner’s
jury. I should know what I am talking about.”
“Oh, without doubt,” agreed the hunchback, smiling amiably. “But, as I
remember, the knives in both cases were plunged hilt-deep into the backs
of the victims. One does not usually commit suicide in this fashion.”
Fernet coldly eyed the curiously handsome face of his antagonist. “It
seems you know more about this thing than a coroner’s jury,” he sneered.
“It seems I do—granting that such an important item was left out of the
evidence.”
“Then, my good sir, will you be good enough to tell me who _did_ kill
Suvaroff, since you do not admit that he died by his own hand?”
The hunchback cracked his fingers again. “That is simple enough.
Suvaroff was killed by the same person who stabbed the Italian.”
“And who might that be, pray?”
The hunchback rose with a malignant smile. “Ah, if I told you that you
would know as much as I do, my friend.”
And with that he walked calmly over to the proprietor, put down
thirty-five cents for his meal upon the counter, and without another
word left the room.
A silence fell upon the group. Everybody stared straight ahead, avoiding
the eye of his neighbor. It was as if something too terrifying to be
remarked had passed them.
Finally, a thick-set man at Fernet’s right, with a purple wart on his
cheek, said, uneasily, “Come, I must be going.”
Public-domain text, read in full here on John Shaqi.
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