The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Karen town on Thoungyeen River! Temple bells chiming or booming through
the mystic, potent dusk; mynah-birds scolding in the _thy-tsi_ trees.
Frogs croaking under the banyans’ knees in the mud. Women coming to
worship in the temples—women with songs on their full red lips and
burdens on their heads—and mighty little else on them. And the fat, lazy
priests and the monks going about, begging bowls in hand, with their
_cheelahs_ to lead them as they beg their evening rice.
Thanks for the lime juice, ma’am. Let me talk. It eases me.
To Karen town on Thoungyeen River—Karen town with its Temple of Siva—I
came long before the rains. This year? Mayhap. Last? What do the dead
years matter now?
To Karen town I brought wire rods for anklet-making, cloths, mirrors,
sweetmeats—an elephant’s load. Once there, I let my elephant driver go.
Three days of good trade I had, and my goods were about gone, turned
into money and antique carved silver and gold work. At the close of the
third day, as I sat in front of the _zana_, smoking, smoking, smoking,
listening to the buzz of the women and children, Pra Oom Bwaht came.
He was tall for a Karen man of the hills, all of five foot two. The
Karen plainsmen are taller. He sat a space beside me in silence—sure
mark of a man of degree among such chatterers.
“Have you seen the temples of Karen?” he asked finally.
Lazily I looked him over. He was sturdy—a brave man, I thought. He had a
cunning eye, a twisty mouth, and in his forehead’s middle a black mark
showing harsh against his yellow skin.
“What’s that?” I asked him, touching the mark. He winced when I did it.
“Dread Bhairava,” he said, using the Brahman word for Siva, Queen of the
Nagas. He was a snake-worshiper, then. Mighty little of these people or
their talk or dialects I don’t know.
“Come with me, white trader?” he asked me. “I am Pra Oom Bwaht.”
Idly I went. So, after visiting the other temples, we came to the Temple
of Siva, perched on its rocks, with the river running near and its
little grounds well kept. It was the hour of evening worship. The
worshipers, mostly women, were coming in with votive offerings.
But among them all there was a Laos girl, shapely as a roe deer,
graceful, brown, with flashing black eyes and shining black hair neatly
coiled on top of her pretty head, and with full red lips. As she passed,
Oom Bwaht just nudged me—pointed. She turned off at a fork of the path,
alone.
I glanced at Pra Oom Bwaht. His twisty mouth was wreathed in a smile.
“She lives at the end of that little path,” he tempted. “She is Nagy
N’Yang.”
“Alone?”
“Alone.”
He nodded again and went away. I turned down the side path after the
Laos girl....
There was a full moon that night. About the middle of the night we came
up the path to the temple again, the Laos girl and I.
“Come,” she had said to me when I had asked her for my heart’s desire,
“come to the temple, and I can prove it is folly.”
Public-domain text, read in full here on John Shaqi.
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