The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
So we came. The temple door was open. The priests were gone—no one has
to watch a Naga temple at night. The dread of Siva is enough to protect
it.
A rift in the temple roof let in a shaft of white moonlight. It struck
upon the image of Siva. The image was seated on a white ox, carved of
some white stone. A sash around the image was made up of human heads; it
had six arms, each covered with carved snakes that were so lifelike they
seemed to writhe in the wavering light. In the middle of the god’s
forehead was the mark of the third eye—the scar of Siva.
We went slowly down toward the image. Before it was a huge chest. Nagy
N’Yang motioned me to sit on it. She sat beside me. Again I pleaded with
her for my heart’s desire.
She pushed me away.
“You are afraid to be near me,” I mocked.
“Hush,” she pleaded. “I am afraid—of yielding to you.”
I moved to clasp her, my heart leaping at her confession. She smote her
little hands sharply together. I heard a shuffling of softly shod feet
in the passage behind the image.
Wat Na Yang, chief priest of the temple, stood before us with his yellow
robes, his yellow skin, his hands calmly folded across his paunch. “What
seek ye, children?” he asked.
“The way of love,” I laughed. I plunged my hand into my robe and felt
the gold against my middle.
In the great chest on which we sat something awoke to life. I heard a
stir, a rustle, a noise as of straining.
“Nagy speaks,” the priest warned.
I felt the Laos girl shudder by my side.
“What is it?” I asked. I stood up. A creeping horror came over me.
Nagy N’Yang sprang up as I did and flung back the lid of the great chest
with a strength I had not expected. Out over her shoulder shot a long
coil, then another. When she stood erect in the moon-glow, a great rock
python was wrapped about her matchless form. The mark of Siva on her
forehead gleamed against her ivory brow like an evil blotch, yet it did
not take from her beauty, her alluring grace; nor did the immense bulk
of the python bear her down.
“The great serpent knows his own,” whispered the yellow priest. He
pointed with his fat forefinger. I saw the red tongue of the python play
over the ivory bosom of the girl.
Yet I did not shudder. It seemed fitting. They were so in harmony with
their surroundings.
The eyes of the python blazed in the moon-glow like rubies of the
pigeon-blood hue, then like garnets, then like glow-worms; then they
sank to a lower range of colors and finally to rest. He was asleep under
her caresses. She patted his wedge-shaped head, soothing him. Ah, that
it had been my head she thus fondled!
Suddenly Nagy N’Yang seized the great serpent just back of the head,
uncoiled it from her with a free, quick succession of movements and cast
it into the great chest again. Then, with a curious indrawing of the
breath, as if relieved from a nerve strain, she sat down on the chest.
“Well have I seen,” I said to her. “But little do I understand.”
“I may not wed,” she said. “I am Siva’s.”
Public-domain text, read in full here on John Shaqi.
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