The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“I can kill the snake—”
The thing in the chest stirred its coils uneasily.
“Be silent!” commanded the fat priest. “Would you slay little N’Yang?”
I shuddered. A great bat came in through the rift that let in the
moon-glow. In the trees over the temple a gibbon wailed in his sleep
like a sick child—“_Hoop-oi-oi-oi_”!
Wat Na Yang extended his arm before him in a gesture of dismissal.
“Go!” he commanded. Then he placed a heavy hand on my shoulder.
Nagy N’Yang stood up, bowed her head and went down the path the
moonbeams made, went into the shadow near the door, and out.
The fat priest sat down on the chest beside me. The mottled terror in
the chest was still again.
“She was wed,” the priest began, “but on her wedding-day we claimed her.
Her husband cannot claim her. But if some one unwittingly kills the
great python, she will be free. It must be some one not a friend of the
husband. No one will kill the python here. She is temple-bound for
life—”
The bulk inside thrilled to life again. I heard the scales rustling as
the great coils rose and fell.
“Go, you!” he ordered. “The goddess likes you not. Even if you take the
girl, I can call her back or kill her by touching her flesh with a
single scale from the Naga in the chest.”
He walked with me to the door. At the portal we stood for a space,
silent.
The tiled entrance was flooded with moonlight. In the middle of it a
cobra lay, stretched out, seemingly asleep—a small cobra, deadly none
the less.
“You see,” the gross priest said, pointing to the deadly serpent there.
“Nagy’s spirit watches you here, too. But the girl she did not harm.”
Filled with some spirit of Western bravado I could not stifle, I stepped
close to the cobra and stamped on its head.
“That for all scaly serpents!” I jeered at him. I stood on the cobra’s
head while it lashed out its life.
The fat yellow priest watched me, and I could see hatred and horror
struggle for mastery on his face.
Coming close to me he began to talk in long, rolling sentences, of which
I here and there caught a word. But I caught the sense of what he was
saying.
Oh, yes—the fat priest. It was there, in front of the temple, that he
put on me, in Sanskrit, the Curse of Siva, ending:
“With gurgling drops of blood, that plenteous stream
From throats quickly cut by us—”
I laughed at him, threw a yellow coin at his face, kicked the dead cobra
into the door of the temple—and went down the path toward the Laos
girl’s hut.
At the hut door she sat, silent, wonderful.
“Come!” I commanded.
“Where?” she asked.
“To Kalgai town by Salwin River,” I answered. I took her in my arms.
Yes, I took her! Why not? She was mine, wasn’t she? Yes, I took her! Not
down the Thoungyeen River or the road along it. Why? We feared pursuit.
Five miles below Karen a little hill stream comes to the Thoungyeen
River. I never heard its name. We went up that to its springs and then
along to the Hlineboay Chuang.
Public-domain text, read in full here on John Shaqi.
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