The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"How many? It is an auspicious day. See, the lilies have bloomed. One
for the hair and two for the buttonholes. They smell sweet as the breath
of heaven itself."
Dong-Yung smiled as the flower-girl stuck one of the fragrant, fragile,
green-striped orchids in her hair, and hung two others, caught on
delicate loops of wire, on the jade studs of her jacket, buttoned on the
right shoulder.
"Ah, you are beautiful-come-death!" said the flower-girl. "Great
happiness be thine!"
"Even a small wife can be happy at times." Dong-Yung took out a little
woven purse, and paid over two coppers apiece to the flower-girl.
At the gate the girl and the gate-keeper fell a-talking.
"Is the morning rice ready?" called a man's voice from the room behind.
Dong-Yung turned quickly. Her whole face changed. It had been smiling
and pleased before at the sight of the faint, white lily-petals and the
sunlight on her feet and the fragrance of the orchids in her hair; but
now it was lit with an inner radiance.
"My beloved Master!" Dong-Yung made a little instinctive gesture toward
the approaching man, which in a second was caught and curbed by Chinese
etiquette. Dressed, as she was, in pale-gray satin trousers, loose, and
banded at the knee with wide blue stripes, and with a soft jacket to
match, she was as beautiful in the eyes of the approaching man as the
newly opened lilies. What he was in her eyes it would be hard for any
modern woman to grasp: that rapture of adoration, that bliss of worship,
has lingered only in rare hearts and rarer spots on the earth's surface.
Foh-Kyung came out slowly through the ancestral hall. The sunlight edged
it like a bright border. The doors were wide open, and Dong-Yung saw the
decorous rows of square chairs and square tables set rhythmically along
the walls, and the covered dais at the head for the guest of honor. Long
crimson scrolls, sprawled with gold ideographs, hung from ceiling to
floor. A rosewood cabinet, filled with vases, peach bloom, imperial
yellow, and turquoise blue, gleamed like a lighted lamp in the shadowy
morning light of the room.
Foh-Kyung stooped to smell the lilies.
"They perfume the very air we breathe. Little Jewel, I love our old
Chinese ways. I love the custom of the lily-planting and the day the
lilies bloom. I love to think the gods smell them in heaven, and are
gracious to mortals for their fragrance's sake."
"I am so happy!" Dong-Yung said, poking the toe of her slipper in and
out the sunlight. She looked up at the man before her, and saw he was
tall and slim and as subtle-featured as the cross-legged bronze Buddha
himself. His long, thin hands were hid, crossed and slipped along the
wrists within the loose apricot satin sleeves of his brocaded garment.
His feet, in their black satin slippers and tight-fitting white muslin
socks, were austere and aristocratic. Dong-Yung, when he was absent,
loved best to think of him thus, with his hands hidden and his eyes
smiling.
Public-domain text, read in full here on John Shaqi.
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