The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Is it permitted to a small wife to worship the foreign-born God?"
Dong-Yung lifted her eyes to the face of Foh-Kyung. "Teach me, O my Lord
Master! My understanding is but young and fearful--"
Foh-Kyung moved into the sunlight beside her.
"Their God loves all the world. Their God is different, little Flower,
from the painted images, full of blessings, not curses. He loves even
little girl babies that mothers would throw away. Truly his heart is
still more loving than the heart of a mother."
"And yet I am fearful--" Dong-Yung looked back into the shadows of the
guest-hall, where the ancestral tablets glowed upon the wall, and
crimson tapers stood ready before them. "Our gods I have touched and
handled."
"Nay, in the Jesus way there is no fear left." Foh-Kyung's voice dropped
lower. Its sound filled Dong-Yung with longing. "When the wind screams
in the chimneys at night, it is but the wind, not evil spirits. When
the summer breeze blows in at the open door, we need not bar it. It is
but the summer breeze from the rice-fields, uninhabited by witch-ghosts.
When we eat our morning rice, we are compelled to make no offering to
the kitchen gods in the stove corner. They cannot curse our food. Ah, in
the Jesus way there is no more fear!"
Dong-Yung drew away from her lord and master and looked at him
anxiously. He was not seeing her at all. His eyes looked beyond, across
the fragile lily-petals, through the solid black wall, at a vision he
saw in the world. Dong-Yung bent her head to sniff the familiar sweet
springtime orchid hanging from the jade stud on her shoulder.
"Your words are words of good hearing, O beloved Teacher. Nevertheless,
let me follow six paces behind. I am not worthy to touch your hand. Six
paces behind, when the sun shines in your face, my feet walk in the
shadow of your garments."
Foh-Kyung gathered his gaze back from his visions and looked at his
small wife, standing in a pool of sunshine before him. Overhead the lazy
crows flew by, winging out from their city roosts to the rice-fields for
the day's food.
"Tea-boiled eggs!" cried a vender from beyond the wall. A man stopped at
the gate, put down his shoulder-tray of food, and bargained with the
ancient, mahogany-scalped gate-keeper. Faint odors of food frying in oil
stole out from the depths of the house behind him. And Dong-Yung, very
quiet and passive in the pose of her body, gazed up at Foh-Kyung with
those strange, secretive, ardent eyes. All around him was China, its
very essence and sound and smell. Dong-Yung was a part of it all; nay,
she was even the very heart of it, swaying there in the yellow light
among the lily-petals.
"Precious Jewel! Yet it is sweeter to walk side by side, our feet
stepping out into the sunlight together, and our shadows mingling
behind. I want you beside me."
Public-domain text, read in full here on John Shaqi.
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