The best short stories of 1919, and the yearbook of the American short story — John Shaqi
The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Wall-papers I ain't so sure about." The old farmer took out a large
clasp-knife and, paring his thumb-nail, continued, somewhat loftily: "I
presume that is as the lady of the house commands. Some favors blue, but
there's a many as is great hands for red. I see a house once had dead
animals, stuffed codfish, and shot ducks all over the wall-paper into
the dinin'-room; 'twuz reel tony! As fer the yard--well, I mistrust that
Willum, bein' sociable and always interested into the open air, would
want circular seats around whatever trees was left standin'. Ye could
paint 'em red, white, and blue, ye know. And he'd like a pond, maybe,
with a white swan shovin' back and forth."
* * *
At last came the day when vans of imported laborers arrived and began
quick breaking of ground and laying of foundations on Cedar Plains.
Parts of the superb heating system, the installing of which was the
architect's special care, numerous white bath-tubs--these things were
deposited before the eyes of the excited Mr. Pawket, who, in the absence
of the owner of the proposed villa, felt that he must be very vigilant
in overseeing. Every day the old man appeared at Cedar Plains, boots
spattered, overalls greased and clayey, making his anxious comments to
the architect, who received them thoughtfully, with the air of putting
all suggestions into immediate execution.
So the building of the "vanilla" proceeded, but it proceeded under the
stigma of an outraged countryside. The "show-place" confidently
predicted seemed not to evolve; outside of insane expenditures for
heating and bathing and the sanitary care of laundry and food, there
were few evidences that the villa was to be magnificent. Development
after development not only puzzled the neighboring farmers, but incensed
them. Men driving by "Willum's vanilla" pointed it out, tongue in
cheek, with derisive whip; their women folks, veiled and taciturn,
leaned forward in curious wonder to condemn silently. Such complacent
agriculturists as owned "ottermobiles" came from miles away to view the
thing; they halted their machines by the roadside and went in parties up
through the tapering cedars to where stood the slowly rising square
white walls, which they stared at with patronizing guffaws. It was the
fashion for the youth of Brook Center to spend Sunday afternoons down in
Cedar Plains, where among the dark trees they found the rosy trail of
arbutus; where strawberries hung in the rank green grass, and where, of
autumn days, wandering over the sweet stubble, they confessed to each
other those innocent melancholies of beings that have never known
sorrow.
Public-domain text, read in full here on John Shaqi.
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