The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Mr. Badgely started theatrically. He was clad in white flannels and a
white silk shirt; a golden-brown tie matched the brown of a dreaming
fire in his eyes, and there were brown silk socks upon his shapely
calf-skinned feet. The Pawkets, even in their absorption, noted that, if
not really young, the architect suggested something very like youth. His
dapper figure now bent reverently over the kitchen table on whose
red-and-white-checkered cloth reposed the gold jar; he drew a long
breath.
"The--er--Everything!" he murmured. After a long and careful scrutiny of
the golden object, he turned to Mr. Pawket.
"Really--it--it defies description--it is so--er--genuine! I confess I
never have seen anything quite like it--anywhere. Mrs. Pawket, I do
congratulate you."
"There's a rage for 'em now," explained Mr. Pawket, proudly, "but 't was
she started the first one. She began the hull thing; we was foolish
enough to mention ourn to the hotel-keeper's daughter, and now, as fur
as I can gather, there's six Everythings started right here in Brook
Center."
Mr. Badgely showed deep emotion. "Really, six Everythings? You surprise
me. I had no idea the community boasted such--er--creative feeling."
The old farmer looked at the young man, then at his wife. "Tell him what
you goin' to do," he commanded. Mrs. Pawket, however, twisted nervously
at the end of the white mosquito-netting and said she felt too shy. Mr.
Pawket with manly decision relieved her of the burden of explanation.
"Seems she's had it in her mind to finish that there Everything in time
to have it on the center-table in the vanilla," he said; "and now she's
gone and got me so het up with interest that I got to take a hand, too.
Now, fer instance, the furniture--" The old man hitched himself nearer
to the architect, saying in sepulchral tones of parental anxiety:
"'Tain't fer me to interfere, but I seen the stuff. I been down to the
junction and see what they got. Well, say, ain't it pitiful, all that
old, ancient furniture?"
Mr. Badgely nodded his head with another sort of concern. "Perfectly
rotten carelessness. But I've sent to town for a corking man who handles
these things; he's coming out to-morrow with his staff. After all, it's
merely a question of understanding period, and American restoration is
diabolically clever."
But the old farmer waved the younger man grandly aside. "That's as may
be; that's as may be," he said, hastily. "Put it in the kitchen or use
it in the g'rage--I ain't one to advise waste; but see here, my young
man"--he stared impressively into the architect's face--"I knowed
Willum's folks. I know what he's used to and what he's got a right to
expect. Ef he's lost money, that ain't none of my business, and ef he's
married an Eyetalian, that ain't no reflection on _her_. As I take it,
they 'm all sorter down at heel in It'ly, and it seems they got now so
they don't know no better. But I knowed Willum's folks. I know he should
hold up his head in his own country."
Public-domain text, read in full here on John Shaqi.
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