The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
At school Joel found so much to do outside of his classes that he grew
content to go all the way. There was a glee club to manage, also an
athletic club; a paper to solicit ads and subscriptions for; class
officers to be elected, with all the delights of political
maneuvering--a world in little to run with all the solemnity and
competition of the adult cosmos. So Joel was happy and lucky and
successful in spite of himself.
The day after Joel took train up the river to his academy Luke took the
position his father secured for him and entered the little back room
where the Butterly Bottling Works kept its bookkeepers on high stools.
The Butterly soda pop, ginger ales, and other soft drinks were triumphs
of insipidity, and their birch beer sickened the thirstiest child. But
the making and the marketing and even the drinking of them were matters
of high emprise compared to the keeping of the books.
One of the saddest, sweetest, greatest stories ever written is Ellis'
Pigsispigs Butler's fable of the contented little donkey that went round
and round in the mill and thought he was traveling far. But that donkey
was blind and had no dreams denied.
Luke Mellows was a boy, a boy that still felt his life in every limb, a
boy devoured with fantastic ambitions. He had a genius within that
smothered and struggled till it all but perished unexpressed. It lived
only enough to be an anguish. It hurt him like a hidden, unmentioned
ingrowing toe nail that cuts and bleeds and excruciates the fleet member
it is meant to protect.
When Joel came home for his first vacation, with the rush of a young
colt that has had a good time in the corral but rejoices in the old
pastures, his first cry was for Luke. When he learned where he was, he
hurried to the Bottling Works. He was turned away with the curt remark
that employees could not be seen in business hours. In those days there
were no machines to simplify and verify the bookkeeper's treadmill task,
and business hours were never over.
Joel left word at Luke's home for Luke to call for him the minute he was
free. He did not come that evening, nor the next. Joel was hurt more
than he dared admit.
It was Sunday afternoon before Luke came round, a different Luke, a
lean, wan, worn-out shred of a youth. His welcome was sickly.
"Gee-min-_ent_-ly!" Joel roared. "I thought you was mad at me about
something. You never came near."
"I wanted to come," Luke croaked, "but nights, I'm too tired to walk
anywheres, and besides, I usually have to go back to the offus."
"Gee, that's damn tough," said Joel, who had grown from darn to damn.
Thinking to light Luke up with a congenial theme, Joel heroically
forbore to describe the marvels of academy life, and asked: "What you
been readin' lately? A little bit of everything, I guess, hey?"
"A whole lot of nothin'," Luke sighed. "I got no strength for readin' by
the time I shut my ledgers. I got to save my eyes, you know. The light's
bad in that back room."
Public-domain text, read in full here on John Shaqi.
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