The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"What you been writin', then?"
"Miles of figures and entries about one gross bottles lemon, two gross
sassaprilla, one gross empties returned."
"No more poetry?"
"No more nothin'."
Joel was obstinately cheerful. "Well, you been makin' money, anyways;
that's something."
"Yeh. I buy my own shoes and clo'es now and pay my board and lodgin' at
home. And paw puts the two dollars that's left into the savings bank. I
got nearly thirty dollars there now. I'll soon have enough for a winter
soot and overcoat."
"Gee, can't you go buggy ridin' even with Kit?"
"I could if I had the time and the price, and if her maw wasn't so
poorly that Kitty can't get away. I go over there Sunday afternoons
sometimes, but her maw always hollers for her to come in. She's afraid
to be alone. Kit's had to give up the high school account of her maw."
"How about her goin' away to be a great singer?"
Luke grinned at the insanity of such childish plans. "Oh, that's all
off. Kit can't even practice any more. It makes her mother nervous. And
Kit had to give up the church choir too. You'd hardly know her. She
cries a lot about lookin' so scrawny. O' course I tell her she's pirtier
than ever, but that only makes her mad. She can't go to sociables or
dances or picnics, and if she could she's got no clo'es. We don't have
much fun together; just sit and mope, and then I say: 'Well, guess I
better mosey on home,' and she says: 'All right; see you again next
Sunday, I s'pose. G'by.'"
The nightingale annoyed the owl and was hushed, and the poet rimed sums
in a daybook.
The world waited for them and needed them without knowing it; it would
have rewarded them with thrilled attention and wealth and fame. But
silence was their portion, silence and the dark and an ache that had no
voice.
Joel listened to Luke's elegy and groaned: "Gee!"
But he had an optimism like a powerful spring, and it struck back now
with a whirr: "I'll tell you what, Luke. Just you wait till I'm rich,
then I'll give you a job as vice president, and you can marry Kitty and
live on Broadway, in Noo York."
"I've got over believin' in Sandy Claus," said Luke.
Joel saw little of him during this vacation and less during the next.
Being by nature a hater of despair, he avoided Luke. He had fits of
remorse for this, and once he dared to make a personal appeal to old Mr.
Mellows to send Luke away to school. He was received with scant
courtesy, and only tolerated because he gave the father a chance to void
some of his bile at the worthlessness of Luke.
"He's no good; that's what's the matter of him. And willful too--he just
mopes around because he wants to show me I'm wrong. But he's only
cuttin' off his own nose to spite his face. I'll learn him who's got the
most will power."
Public-domain text, read in full here on John Shaqi.
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