The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Joel was bold enough to suggest: "Maybe Luke would be differ'nt if you'd
let him go to college. You know, Mr. Mellows, if you'll 'scuse my saying
it, there's some natures that are differ'nt from others. You hitch a
race horse up to a plow and you spoil a good horse and your field both.
Seems to me as if, if Luke got a chance to be a writer or a professor or
something, he might turn out to be a wonder. You can't teach a canary
bird to be a hen, you know, and----"
Mr. Mellows locked himself in that ridiculous citadel of ancient folly.
"When you're as old as I am, Joel, you'll know more. The first thing
anybody's got to learn in this world is to respect their parents."
Joel wanted to say: "I should think that depended on the parents."
But, of course, he kept silent, as the young usually do when they hear
the old maundering, and he gave up as he heard the stupid dolt returning
to his old refrain: "I left school when I was twelve years old. Ain't
had a day sence, and I can't say as I've been exactly a failure. Best
hardware store in Carthage and holdin' my own in spite of bad business."
Joel slunk away, unconvinced but baffled. One summer he brought all his
pressure to bear on Luke to persuade him to run away from his job and
strike out for the big city where the big opportunities grew.
But Luke shook his head. He lacked initiative. Perhaps that was where
his talent was not genius. It blistered him, but it made no steam.
Shakespeare had known enough to leave Stratford. He had had to hold
horses outside the theatre, and even then he had organized a little
business group of horse holders called "Shakespeare's boys." He had the
business sense, and he forced his way into the theatre and became a
stockholder. Shakespeare was always an adventurer. He had to work in a
butcher's shop, but before he was nineteen he was already married to a
woman of twenty-six, and none too soon for the first child's sake.
Luke Mellows had not the courage or the recklessness to marry Kitty,
though he had as good a job as Shakespeare's. Shakespeare would not let
a premature family keep him from his ambition.
He was twenty-one when he went to London, but he went.
London was a boom town then, about the size of Trenton, or Grand Rapids,
or Spokane, and growing fast. Boys were running away from the farms and
villages as they always have done. Other boys went to London from
Stratford. John Sadler became a big wholesale grocer and Richard Field
a publisher. They had as various reasons then as now.
But the main thing was that they left home. That might mean a noble or a
selfish ambition, but it took action.
Luke Mellows would not go. He dreaded to abandon his mother to the
father who bullied them both. He could not bear to leave Kitty alone
with the wretched mother who ruled her with tears.
Other boys ran or walked away from Carthage, some of them to become
failures, and some half successes, and some of them to acquire riches
and power. And other boys stayed at home.
Public-domain text, read in full here on John Shaqi.
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