The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
His mother might die. She had told him this was killing her.... It was
so easy for him to go, so hard for her to stay.... She had invested most
of her capital of hopes and dreams and love in him: he was the son; he
was the first man. And now he was shattering the very structure of her
life....
Easy for him to go! He slumped into the chair again, at the table....
The wind blew strongly, and he knew just how the grey street looked with
its spots of yellow sparkling lamplight; its shadows, its glowing
windows.... He knew the smell of the fish-shop, the strange raw
sea-smell, the sight of glittering iridescent scales, the beauty of lean
curved fishes, the red of broiled lobsters, the pink-cheeked swarthy
fishman, the dark loveliness of Agnes.... He had written to Agnes. His
mother didn't know of it, but he was done with Agnes. Agnes meant
nothing to him. She had only been a way out, something to cling to,
something to fight for in this fight for his life....
Fight for his life! Had he not read of this in books, how the young must
slay the old in order that life might go on, just as the earth must die
in autumn so that the seeds of spring may be planted? Had he not read
Ibsen's Master Builder, where the aging hero hears the dread doom which
youth brings, "the younger generation knocking at the door"? He was the
younger generation, he was the young hero. And now, at once, a vivid
dramatization took place in his brain: it unwound clear as
hallucination. He forgot everything else, he sat there as a writer sits,
living his fiction, making strange gestures with face and hands,
muttering words under his breath....
In this phantasy, he saw himself rising, appearing a little older, a
little stronger, and on his face a look of divine compassion and
understanding, yet a firmness inexorable as fate. He repeated Hamlet's
words: "For I am cruel only to be kind." Blame life, fate, the gods who
decree that a man must live his own life: don't blame me.
He unlocked the door, crossed the big hall, stepped down the stairs. His
mother's door was shut. The younger generation must knock at it. He
knocked. A low, sad voice said: "Come." He opened the door.
This was the way it always was: a pin-point of light by the western
window, a newspaper pinned to the glass globe of the gas-jet to shield
his mother's eyes, the wide range of warm shadow, and in the shadow the
two beds. But his sister was not in one of them. His mother was
alone....
He went to the bedside....
"Mother!"
"Paul!"
He took her hand.
"Are you feeling better?" he asked.
"A little more quiet, Paul...."
"I am very glad...."
Now there was silence.... Then he spoke quietly, honestly, candidly. It
was the only way. Why can't human beings be simple with one another, be
sweetly reasonable? Isn't a little understanding worth more than pride
and anger? To understand is to forgive. Surely any one must know that.
Starting to speak, he sat down on the chair beside the bed, still
holding her hand....
Public-domain text, read in full here on John Shaqi.
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