The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
He was leaving everything that was comfort in a bleak world, everything
that was safe and tried and known in a world of unthinkable perils and
mysteries. Only this he knew, still a child, still on the inside of his
mother's house.... He knew now how terrible, how deep, how human were
the cords that bound him to his mother, how fierce the love, by the fear
and deadly helplessness he felt.... What could he have been about all
these months of darkening the house, of paining his mother and the
children, of bringing matters to such inexorable finalities? Was he
sane? Was he now possessed of some demon, some beast of low desire?
Freedom? What was freedom? Could there be freedom without love?
And now, as he sat there, there came slow deliberate footsteps on the
stairs. There was no mistaking the sounds. It was Cora, his older
sister.... His heart palpitated wildly, he shook with fear, the colour
left his cheeks, and he tried to set his face and his throat like flint
not to betray himself. She came straight on. She knocked.
"Paul," she said in a peremptory tone, clothed with all the authority of
his mother....
He grew cold all over, his eyelids narrowed; he felt brutal....
"What is it?" he asked hard.
"Mother wants you to come right down."
"I will come," he said.
Her footsteps departed.... He rose slowly, heavily, like the man who
must now face the executioner.... He stuck his pocketbook back in his
coat and picked up his valise. Mechanically he looked about the room.
Then he unlocked and opened the door, shut off the gas, and went into
the lighted hall.
And as he descended the steps he felt ever smaller before the growing
terror of the world. Never had he been more of a child than at this
moment: never had he longed more fiercely to sob and cry out and give
over everything.... How had this guilt descended upon him? What had he
done? Why was all this necessary? Who was forcing him through this
strange and frightful experience? He went on, lower and lower....
The door of his mother's room was a little open. It was all as it had
always been--the pin-point of light, the shading newspaper, the
sick-room silence, the warm shadow.... He paused a second to summon up
strength, to combat the monster of fear and guilt in his heart. He tried
with all his little boyish might to smooth out his face, to set it
straight and firm. He pushed the door, set down the valise, entered:
pale, large-eyed, looking hard and desperate.
He did not see his sister at all, though she sat under the light. His
mother he hardly saw: had the sense of a towel binding her head, and the
dim form under the bedclothes. He stepped clumsily--he was trembling
so--to the foot of her bed, and grasped the brass rail for support....
His mother's voice was low and thick; a terrible voice. Her throat was
swollen, and she could speak only with difficulty. The voice accused
him. It said plainly: "It was you did this."
She said: "Paul, this has got to end."
Public-domain text, read in full here on John Shaqi.
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