The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Oh, mother, but I do understand! I have understood always, I have tried
so hard to help you. I have tried so hard to be a good son. But this is
something greater than I. We are in the hands of God, mother, and it is
the law that the young must leave the old. Why do parents expect the
impossible of their children? Does not the Bible say, 'You must leave
father and mother, and cleave to me'? Didn't you leave grandmother and
grandpa, to go to your husband? Can't you remember when you were young,
and your whole soul carried you away to your own life and your own
future? Mother, let us part with understanding, let us part with love."
"But when are you going, Paul?"
"To-night."
His mother flung her arms about him desperately and clung to him....
"I can't let you go, Paul," she moaned.
"Oh, mother," he sobbed. "This is breaking my heart...."
"It is Agnes you are going to," she whispered.
"No, mother," he cried. "It is not Agnes. I am going to college. I shall
never marry. I shall still take care of you. Think--every vacation I
will be back here...."
She relaxed, lay back, and his inventions failed. He had a confused
sense of soothing her, of gentleness and reconciliation, of a last
good-bye....
And now he sat, head on hand, slowly realizing again the little gas-lit
room, the shaking window, the autumn wind. A throb of fear pulsed
through his heart. He had passed his mother's door without greeting her.
And there was his valise, and here his tickets. And the time? It was
nearly eleven.... A great heaviness of futility and despair weighed him
down. He felt incapable of action. He felt that he had done some
terrible deed--like striking his mother in the face--something
unforgivable, unreversible, struck through and through with finality....
He felt more and more cold and brutal, with the sullenness of the
criminal who can't undo his crime and won't admit his guilt....
Was it all over, then? Was he really leaving? Fear, and a prophetic
breath of the devastating loneliness he should yet know, came upon him,
paralyzed his mind, made him weak and aghast. He was going out into the
night of death, launching on his frail raft into the barren boundless
ocean of darkness, leaving the last landmarks, drifting out in utter
nakedness and loneliness.... All the future grew black and impenetrable;
but he knew shapes of terror, demons of longing and grief and guilt
loomed there, waiting for him. He knew that he was about to understand a
little of life in a very ancient and commonplace way: the way of
experience and of reality: that at first hand he was to have the taste
against his palate of that bitterness and desolation, that terror and
helplessness, which make the songs and fictions of man one endless
tragedy.... Destiny was taking him, as the jailer who comes to the
condemned man's cell on the morning of the execution. There was no
escape. No end, but death....
Public-domain text, read in full here on John Shaqi.
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