The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The faint throb of hope stilled in her breast. She had not really
expected to find any one at the door unless perhaps it should be a
stranger who had missed his way at the cross-roads. There had been one
earlier in the afternoon when the fog first came. But her husband had
been at home then and his surly manner quickly cut short the stranger's
attempts at friendliness. This ugly way of Mart's had isolated them
from all village intercourse early in their life on Cedar Hill.
Like a buzzard's nest, their home hung over the village on the
unfriendly sides of the bleak slope. Visitors were few and always
reluctant, even strangers, for the village told weird tales of Mart
Brenner and his kin. The village said that he--and all those who
belonged to him as well--were marked for evil and disaster. Disaster had
truly written itself throughout their history. His mother was mad, a
tragic madness of bloody prophecies and dim fears; his only son a
witless creature of eighteen, who for all his height and bulk, spent his
days catching butterflies in the woods on the hill, and his nights in
laboriously pinning them, wings outspread, upon the bare walls of the
house.
The room where the Brenner family lived its queer, taciturn life was
tapestried in gold, the glowing tapestry of swarms of outspread yellow
butterflies sweeping in gilded tides from the rough floors to the black
rafters overhead.
Olga Brenner herself was no less tragic than her family. On her face,
written in the acid of pain, was the history of the blows and cruelty
that had warped her active body. Owing to her crippled foot, her entire
left side sagged hopelessly and her arm swung away, above it, like a
branch from a decayed tree. But more saddening than her distorted body
was the lonely soul that looked out of her tired faded eyes.
She was essentially a village woman with a profound love of its
intimacies and gossip, its fence-corner neighborliness. The horror with
which the village regarded her, as the wife of Mart Brenner, was an
eating sore. It was greater than the tragedy of her poor, witless son,
the hatred of old Mrs. Brenner, and her ever-present fear of Mart. She
had never quite given up her unreasoning hope that some day some one
might come to the house in one of Mart's long, unexplained absences and
sit down and talk with her over a cup of tea. She put away the feeble
hope again as she turned back into the dim room and closed the door
behind her.
"Must have been that bit of wind," she meditated. "It plays queer tricks
sometimes."
She went to the mantel and lighted the dull lamp. By the flicker she
read the face of the clock.
"Tobey's late!" she exclaimed uneasily. Her mind never rested from its
fear for Tobey. His childlike mentality made him always the same burden
as when she had rocked him hour after hour, a scrawny mite of a baby on
her breast.
"It's a fearful night for him to be out!" she muttered.
Public-domain text, read in full here on John Shaqi.
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