The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Blood! Blood!" said a tragic voice from a dark corner by the stove.
Barely visible in the ruddy half-dark of the room a pair of demoniac
eyes met hers.
Mrs. Brenner threw her shriveled and wizened mother-in-law an angry and
contemptuous glance.
"Be still!" she commanded. "'Pears to me that's all you ever
say--blood!"
The glittering eyes fell away from hers in a sullen obedience. But the
tragic voice went on intoning stubbornly, "Blood on his hands! Red!
Dripping! I see blood!"
Mrs. Brenner shuddered. "Seems like you could shut up a spell!" she
complained.
The old woman's voice trailed into a broken and fitful whispering.
Olga's commands were the only laws she knew, and she obeyed them. Mrs.
Brenner went back to the stove. But her eyes kept returning to the clock
and thence to the darkening square of window where the fog pressed
heavily into the very room.
Out of the gray silence came a shattering sound that sent the ladle
crashing out of Mrs. Brenner's nerveless hand and brought a moan from
the dozing old woman!
It was a scream, a long, piercing scream, so intense, so agonized that
it went echoing about the room as tho a disembodied spirit were
shrieking under the rafters! It was a scream of terror, an innocent, a
heart-broken scream!
"Tobey!" cried Mrs. Brenner, her face rigid.
The old woman began to pick at her ragged skirt, mumbling "Blood! Blood
on his hands! I see it!"
"That was on the hill," said Mrs. Brenner slowly, steadying her voice.
She put her calloused hand against her lips and stood listening with
agonized intentness. But now the heavy, foggy silence had fallen again.
At intervals came the long, faint wail of the fog-horn. There was no
other sound. Even the old woman in the shadowy corner had ceased her
mouthing.
Mrs. Brenner stood motionless, with her hand against her trembling lips,
her head bent forward for four of the dull intervals between the
siren-call.
Then there came the sound of steps stumbling around the house. Mrs.
Brenner, with her painful hobble, reached the door before the steps
paused there, and threw it open.
The feeble light fell on the round, vacant face of her son, his
inevitable pasteboard box, grim with much handling, clutched close to
his big breast, and in it the soft beating and thudding of imprisoned
wings.
Mrs. Brenner's voice was scarcely more than a whisper, "Tobey!" but it
rose shrilly as she cried, "Where you been? What was that scream?"
Tobey stumbled past her headlong into the house, muttering, "I'm cold!"
She shut the door and followed him to the stove, where he stood shaking
himself and beating at his damp clothes with clumsy fingers.
"What was that scream?" she asked him tensely. She knotted her rough
fingers as she waited for his answer.
"I dunno," he grunted sullenly. His thick lower lip shoved itself
forward, baby-fashion.
"Where you been?" she persisted.
As he did not answer she coaxed him, "Aw, come on, Tobey. Tell ma. Where
you been?"
Public-domain text, read in full here on John Shaqi.
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