The best short stories of 1920, and the yearbook of the American short story — John Shaqi
The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
It was in good-humored explanations like this that the Strangs managed
to conceal their real interest in Gargoyle. They did not remind people
of their only child, the brave boy of seven, who died before they came
to Mockwood. Under the common sense that set the two instantly to work
building a new home, creating new associations, lay the everlasting pain
of an old life, when, as parents of a son, they had seemed to tread
springier soil, to breathe keener, more vital air. And, though the
Strangs adhered patiently to the recognized technicalities of Mockwood
existence, they never lost sight of a hope, of which, against the
increasing evidence of worldly logic, their human hearts still made
ceaseless frantic attestation.
Very slowly, but very constructively, it had become a fierce though
governed passion with both--to learn something of the spiritual life
coursing back of the material universe. Equally slowly and inevitably
had the two come to believe that the little changeling at the lodge held
some wordless clue, some unconscious knowledge as to that outer sphere,
that surrounding, peopled ether, in which, under their apparent
rationality, the two had come to believe. Yet the banker and his wife
stood to Mockwooders for no special cult or fad; it was only between
themselves that their quest had become a slowly developing motive.
"Gargoyle was under the rose-arbor this morning." It was according to
custom that Evelyn Strang would relate the child's latest phase. "He sat
there without stirring such a long time that I was fascinated. I noticed
that he never picked a rose, never smelled one. The early sun fell
slanting through their petals till they glowed like thin little wheels
of fire. John dear, it was that scalloped fire which Gargoyle was
staring at. The flowers seemed to lean toward him, vibrating color and
perfumes too delicate for me to hear. _I_ only saw and smelled the
flowers; Gargoyle looked as if he _felt_ them! Don't laugh; you know we
look at flowers because when we were little, people always said, 'See
the pretty flower, smell the pretty flower,' but no one said, 'Listen
and see if you can hear the flower grow; be still and see if you can
catch the flower speaking.'"
Strang never did laugh, never brushed away these fantastic ideas.
Settling back in his piazza chair, his big hands locked together, he
would listen, amusing himself with his pet theory of Gargoyle's
"undressed mind."
"By the way," he said once, "that reminds me, have you ever seen our
young Solomon of the flower-harem smile?"
"Of course I haven't; neither have you." Young Mrs. Strang averred it
confidently. "He never has smiled, poor baby, nor cried--his mother
told me that long ago."
The banker kept his eyes on the treetops; he had his finger-tips nicely
balanced before he remarked, with seeming irrelevance:
"You know that nest in the tree we call the Siegfried tree?"
She nodded.
Public-domain text, read in full here on John Shaqi.
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