The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I know that now, and I'm sorry. I'm ashamed to find myself suspecting
that half of Mary Matheson's mature beauty in my eyes may have been
romance, and half the romance mystery, and half of that the unsettling
discovery that the other sex does not fade at seventeen and wither quite
away at twenty, as had been taken somehow for granted. I'm glad there is
no possibility of meeting her again as she was at thirty, and so making
sure: I shall wish to remember her as the boy of sixteen saw her that
night waiting in the dunes above the wreck of the "India ship," with
Rolldown Nickerson bleating as he fled from the small, queer casket of
polished wood he had flung on the sand, and the bridegroom peering out
of the church window, over the moors in Urkey Village.
The thing began when I was too young to make much of it yet, a wonder of
less than seven days among all the other bright, fragmentary wonders of
a boy's life at six. Mainly I remember that Mary Matheson was a fool;
every one in Urkey Village was saying that.
I can't tell how long the Blake boys had been courting her. I came too
late to see anything but the climax of that unbrotherly tournament, and
only by grace of the hundredth chance of luck did I witness even one act
of that.
I was coming home one autumn evening just at dusk, loitering up the cow
street from the eastward where the big boys had been playing "Run,
Sheep, Run," and I watching from the vantage of Aunt Dee Nickerson's
hen-house and getting whacked when I told. And I had come almost to the
turning into Drugstore Lane when the sound of a voice fetched me up, all
eyes and ears, against the pickets of the Matheson place.
It was the voice of my cousin Duncan, the only father I ever knew. He
was constable of Urkey Village, and there was something in the voice as
I heard it in the yard that told you why.
"Drop it, Joshua! Drop it, or by heavens----!"
Of Duncan I could see only the back, large and near. But the faces of
the others were plain to my peep-hole between the pickets, or as plain
as might be in the falling dusk. The sky overhead was still bright, but
the blue shadow of the bluff lay all across that part of the town, and
it deepened to a still bluer and cooler mystery under the apple-tree
canopy sheltering the dooryard. I never see that light to this day, a
high gloaming sifted through leaves on turf, without the faintest memory
of a shiver. For that was the first I had even known of anger, the still
and deadly anger of grown men.
My cousin had spoken to Joshua Blake, and I saw that Joshua held a
pistol in his hand, the old, single-ball dueling weapon that had
belonged to his father. His face was white, and the pallor seemed to
refine still further the blade-like features of the Blake, the aquiline
nose, the sloping, patrician forehead, the narrow lip, blue to the
pressure of the teeth.
Public-domain text, read in full here on John Shaqi.
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